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Polyphonien ihrer Zeit Arbeit, Gemeinschaften und Körper im Romanwerk von Mary E. Wilkins Freeman (1852-1930) /Roth, Yvonne. January 1900 (has links) (PDF)
Frankfurt (Main), Universiẗat, Diss., 2003.
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Polyphonien ihrer Zeit Arbeit, Gemeinschaften und Körper im Romanwerk von Mary E. Wilkins Freeman (1852-1930) /Roth, Yvonne. Unknown Date (has links)
Universiẗat, Diss., 2003--Frankfurt (Main).
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Mary E. Wilkins Freeman: humor and ironyEttinger, Shaindell Jalowitz, 1939- January 1969 (has links)
No description available.
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Die Darstellung psychischer Grenzfälle bei Mary E. Wilkins Studien zur Thematik und Erzähltechnik in der frühen Prosa (1887-1897) /Bischoff, Volker, January 1971 (has links)
Thesis--Hamburg. / Vita. Bibliography: p. 163-171.
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FAILURE AND REGENERATION IN THE NEW ENGLAND OF SARAH ORNE JEWETT AND MARY E. WILKINS FREEMANAnderson, Donald Robert, 1944- January 1974 (has links)
No description available.
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As good as gold : money, the market, and morality in American literature, 1857-1914 /Wilson, Robert Andrew, January 2005 (has links)
Thesis (Ph. D.)--Lehigh University, 2005. / Includes vita. Includes bibliographical references (leaves 225-238).
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A study of local color in New England short stories written between 1860 and 1900 by Harriet Beacher Stowe, Rose Terry Cooke, Sarah Orne Jewett, Mary Wilkins Freeman and Alice BrownHoward, Lois Elda. January 1938 (has links)
Call number: LD2668 .T4 1938 H63
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Female Inheritors of Hawthorne's New England Literary TraditionAdams, Dana W. (Dana Wills) 08 1900 (has links)
Nineteenth-century women were a mainstay in the New England literary tradition, both as readers and authors. Indeed, women were a large part of a growing reading public, a public that distanced itself from Puritanism and developed an appetite for novels and magazine short stories. It was a culture that survived in spite of patriarchal domination of the female in social and literary status. This dissertation is a study of selected works from Nathaniel Hawthorne, Sarah Orne Jewett, and Mary E. Wilkins Freeman that show their fiction as a protest against a patriarchal society. The premise of this study is based on analyzing these works from a protest (not necessarily a feminist) view, which leads to these conclusions: rejection of the male suitor and of marriage was a protest against patriarchal institutions that purposely restricted females from realizing their potential. Furthermore, it is often the case that industrialism and abuses of male authority in selected works by Jewett and Freeman are symbols of male-driven forces that oppose the autonomy of the female. Thus my argument is that protest fiction of the nineteenth century quietly promulgates an agenda of independence for the female. It is an agenda that encourages the woman to operate beyond standard stereotypes furthered by patriarchal attitudes. I assert that Jewett and Freeman are, in fact, inheritors of Hawthorne's literary tradition, which spawned the first fully-developed, independent American heroine: Hester Prynne.
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