D.Litt. et Phil. / The broad aim of the present study was an exploration of the representation of women in the novels of the Maghreb written in French. Two questions provided obvious and logical starting points: Is the fairly aggressive feminism that is so integral to current Western writing equally evident in the fiction of countries where the position of women is governed by religious conviction? Does the fiction emanating from the pens of male authors differ, in the way it reflects this problem, from the fiction written by women?

Critical analysis of the theme “Colonisation” in the literary works of Africa: case of Ngemena by Lomami Tchibamba and La Malédiction by Ngandu Nkashama is the title of this thesis. I intend to do a critical analysis of the “colonialism” in African literature with specific reference to Congo. Some African writers, such as Mongo Beti in Pauvre Christ de Bomba, Benjamin Matip in Afrique! Nous t’ignorons, Ferdinand Oyono in Une Vie de boy and so forth made interesting criticisms of colonisation in the continent. But for their part, in spite of the similarity with the other novels, Ngemena and La Malédiction are directly focused on central Africa especially on the country of Congo. The authors mentioned above describe in their novels the effects of colonisation on religious, political and social aspects; meanwhile, in Ngemena, Lomami Tchibamba speaks about the critical periods of his country, Congo: the occupation as well as its effects. This book covers almost the period from 1908 to 1960, which was a very troubled time. But in La Malédiction, Ngandu Nkashama speaks about the deep exploitation of indigenous population in the hard labour in mines. Normally, the two novels Ngemena and La Malédiction complete each other by their relation of facts. Nevertheless, we can say that colonization and negritude are themes well exploited by researchers and authors alike in the second part of the 20th century. In fact, many authors wrote about colonization and their criticisms were rich as well as strong. But sometimes, some of them expressed their opinion in an emotional way so that the content became far from the truth. It is why, Wilberforce Umezinwa in La religion dans la littérature africaine says, in order to render the history most interesting, the narrators are prone to exaggeration: The prose and poetry do not speak generally kindly about the relationship between Africans and Europeans; but these works are filled with a bad mood against Europe, the continent of the missionaries, slave drivers, and colonialists. The relationship Between Europe and Africa is a song of Blues, a song on human distresses (Umezinwa, 1975: 13) (Own translation). Then, the African writer has an essential role in the society: to tell the history with neither bad mood nor exaggeration but with humour, as indicated by Lilyan Kesteloot. In Négritude et situation coloniale, she underlines that African authors write very emotionally when they explain the notion of Colonisation and Négritude. Sartre quoted by the same Lilyan Kesteloot mentioned that this fact is “racism anti-racism” (Kesteloot, 1968: 35, 43). Especially in Ngemena, from time to time, the author goes over the top and makes an exaggeration. In its introduction, Ngemena takes the form of an admonitory part and is written with burning eloquence. It is likely that Lomami Tchibamba had serious hopes of persuading the readers, the Congolese people, of the multiple and hard realities during the colonization period, then implicitly he pushes people to a form of vengeance. But instead of this, the main goal remains: Lomami Tshibamba always keeps his principal theme and responds to many preoccupations such as : -Who is the colonizer? -Why did he come to the country? -How did he convince the indigenous people so that he got in? -What were the circumstances of his entering? By its part in La Malédiction, Ngandu Nkashama tells the atrocity committed by the colonisation in the remote province of Kasai (Bakwanga), particularly, in the diamond mines. The novels such as Citadelle d’espoir by Ngandu Nkashama, Bel Immonde by Valentin Yves Mudimbe, Cité 15 by Charles Djungu Simba, and some articles like “L’affaire Lumumba ou la palabre sur l’indépendance au Congo” of Jean Omasombo Tshonda in Congo Meuse are steeped in the colonial and postcolonial history of Congo and this study, of course, will emphasize many aspects of the colonisation: political, sociological, religious and psychological. To analyse the correlation between the two periods of crucial time in Congo will be the most interesting aspect of this work. Therefore, the novels: Le Vieux nègre et la médaille and Une Vie de Boy of Ferdinand Oyono, La Vie et demie of Sony Labou Tansi, La Ville cruelle of Mongo Beti will be helpful to this framework in illuminating the way of social and religious aspects. Thus, an analysis and interpretation of theses novels constitute a support of large dimension to my study. Furthermore, Ngemena is a book published in 1981 and La Malédiction in 1981 (the same year); the stories seem ancient but keep their originality because of the exploited theme. It is a true historical legacy. In this way, Ngemena and La Malédiction could be considered as “vademecum” and must be read by whoever wants to know and understand the entire topic of colonization in Congo. Their contents confer to them the value of “true teaching books” of the ancient colonial structures. In short, their stories enlighten the long past colonial history; they have a profound didactic value. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2009.

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by Wong Wai Yee Marina. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1994. / Includes bibliographical references (leaves 132-136). / Chapter One --- Introduction --- p.1 / Chapter Two --- Analysis of the Poem --- p.17 / Chapter Three --- Analysis of the Music --- p.35 / Chapter Four --- Text and Music --- p.77 / Chapter Five --- Significant Differences of the Orchestral Score and the Piano-vocal Score --- p.119 / Chapter Six --- Summary --- p.130 / Selected Bibliography --- p.132 / Appendix --- p.137

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Mosaique et memoire studies paradigms that contribute to the construction of identity in the writings of thirteen Tunisian women novelists writing in French: Emna Bel Haj Yahia, Aicha Chaibi, Annie Fitoussi, Behija Gaaloul, Annie Goldmann, Souad Guellouz, Jelila Hafsia, Souad Hedri, Turkia Labidi Ben Yahia, Alia Mabrouk, Nine Moati, Katia Rubenstein, and Fawzia Zouari. Drawing upon post-colonial and feminist perspectives, this thesis analyzes texts through their poetics and in linguistic, cultural and literary contexts. Novels by women offer an inside view of women's evolution through a variety of characters representing three generations, just as they explore alternate ways of entering modernity based upon harmonizing traditional values (cultural roots, family, faith, community solidarity, a Mediterranean warmth of spirit, thinking "in Arabesques") with 'modern' values such as sexual equality and individual freedom. / Multiple women's voices protest patriarchal and colonial or racist discourse, but also reveal spaces of happiness in women's lives. Jewish voices at times reinforce views by Muslim authors but at others present opposing viewpoints, deconstructing concepts such as 'Arab identity' and questioning nationalist claims to Islamic tolerance and multiculturalism. / In these French-language novels, images and metaphors, as well as expressions in dialectical Arabic, recall the rich cultural heritage underlying national consciousness, the memory and the mosaic which form both individual and national identities. The juxtaposition of Arabic and French suggests both the cross-fertilization of cultures and the impossibility of naming the inexpressible, just as it contributes to deconstructing identity through the medium of the novel.