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MONARCAS, TIRANOS Y TIRANICIDIOS: LA IDEOLOGÍA DE JUAN DE MARIANA EN LA OBRA DE LOPE DE VEGAHughes, Marianelly 15 August 2006 (has links)
No description available.
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Negotiating Golden Age tradition since the Spanish Second Republic: performing national, political and social identitiesGarcía-Martín, Elena 28 August 2008 (has links)
Not available / text
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Monarcas, tiranos y tiranicidios la ideología de Juan de Mariana en la obra de Lope de Vega /Hughes, Marianelly. January 2006 (has links)
Thesis (M.A.)--Miami University, Dept. of Spanish and Portuguese, 2006. / Title from first page of PDF document. Abstract in English, text in Spanish. Includes bibliographical references (p. 73-77).
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Silence, Expression, Manifestation: Developing Female Desire and Gender Balance in Early Modern Italian, English, and Spanish DramaUnknown Date (has links)
Renaissance and Baroque drama offers a view into gender dynamics of the
time. What is seen is a development in the allowed expression and manifestation of
desire by females, beginning from a point of near silence, and arriving at points of
verbal statement and even physical violence. Specifically, in La Mandragola by
Niccolò Machiavelli, Romeo and Juliet by William Shakespeare, and Fuenteovejuna
by Lope de Vega, there appears a chronological progression, whereby using desire
and its expression as a metric in conjunction with modern concepts of gender and
sexuality to measure a shift in relation to what is and is not allowed to be expressed
by women. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2016. / FAU Electronic Theses and Dissertations Collection
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