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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Galuppi als Instrumentalkomponist

Raabe, Felix, January 1929 (has links)
Thesis. / Includes bibliographical references.
2

From Venice to St. Petersburg and back again the sacred music of Baldassare Galuppi and the mutability of eighteenth-century style /

Knop, Keith Eric. Kite-Powell, Jeffery T. January 2004 (has links)
Thesis (M.M.) -- Florida State University, 2004. / Advisor: Jeffery T. Kite-Powell, Florida State University, School of Music. Title and description from thesis home page (viewed 9-24-04). Document formatted into pages; contains 66 pages. Includes biographical sketch. Includes bibliographical references.
3

Die venezianische Kirchenmusik von Baldassare Galuppi [mit CD]

Burde, Ines January 2007 (has links)
Zugl.: Halle (Saale), Univ., Diss., 2007
4

Die buffoopern Baldassare Galuppis ein beitrage zur geschichte der italienischen komischen oper im 18. jahrhunderdert /

Bollert, Werner, Unknown Date (has links)
Inaug.--diss.--Berlin. / Lebenslauf. Includes bibliographical references (p. 133-136) and index.
5

Characterization in Galuppi's Il filosofo di campagna.

January 2000 (has links)
Chiu Wai Yee, Lulu. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2000. / Includes bibliographical references (leaves 68-74). / Abstracts in English and Chinese. / List of tables --- p.vii / Introduction --- p.1 / Chapter Chapter One. --- The History of Opera Buffa / The origins of opera buffa --- p.4 / The development of opera buffa --- p.9 / The collaboration of Galuppi and Goldoni --- p.11 / Chapter Chapter Two. --- "Il filosofo di campagna,ts Plot, Orchestration, Overture and Tonal Organization" / The plot of Il filosofo di campagna --- p.20 / The orchestration of the opera --- p.24 / The overture of the opera --- p.25 / The tonal organization of the opera --- p.28 / Chapter Chapter Three. --- Characterization in the Solo Arias of Il filosofo di campagna / Buffa characteristics in the music of Don Tritemio --- p.32 / Seria characteristics in the music ofRinaldo --- p.36 / Mixed characteristics in the music of Lesbina and Nardo --- p.38 / Chapter Chapter Four. --- Characterization in the Ensembles of Il filosofo di campagna / Comic characteristics in the music of the Act one finale --- p.52 / The quasi-conclusion Act two finale --- p.61 / The problematic Act three finale --- p.64 / Conclusion --- p.66 / Bibliography --- p.68 / Appendices --- p.75 / Chapter A. --- The title-page and the cast list of Goldoni's libretto --- p.76 / Chapter B. --- The texts of the three finales --- p.77 / Chapter C. --- Musical examples of Il filosofo di campagna Overture --- p.86 / "Don Tritemio's aria ""La mia ragion e questa,"" Act one,sceneiii" --- p.95 / "Rinaldo's aria ""Taci,amor, nel seno mio,"" Act one, sceneiv" --- p.98 / "Lesbina's three canzonettas, Act one, sceneii:" / """Quando son giovine,""" --- p.104 / """Son fresca, son bella,""" --- p.105 / """Non raccoglie le mie foglie,""" --- p.106 / "Lesbina's aria ""Compatite,Signor,s'io non so,"" Act one, scenex" --- p.108 / "Lesbina's aria ""Una ragazza, che non e pazza,"" Act two, scenex" --- p.111 / "Nardo's aria ""Vedo quell'albero,"" Act one,scenevii" --- p.116 / "Nardo's aria ""Se non e nata nobile,"" Act two, scenexiv" --- p.119 / Act one finale --- p.124 / Act two finale --- p.137 / Act three finale --- p.149

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