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Introducción a la muerte la poesía neoyorquina de Lorca y el duelo de la lírica modernaKoppenfels, Martin von January 1997 (has links)
Zugl.: Berlin, Freie Univ., Diss., 1997
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An investigation of the traditional cante jondo as the inspiration for the song cycle Five poems of Garcia Lorca by Elisenda FábregasHobbs, Mary Etta. García Lorca, Federico, Fábregas, Elisenda, January 2004 (has links)
Thesis (D.M.A.)--University of North Texas, 2004. / Accompanied by recitals, recorded in 1992, Apr. 23, 2001, and Nov. 17, 2003. Includes analysis by Fábregas. Includes bibliographical references (p. 72-74).
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La metáfora en las estructuras poéticas de Jorge Guillén y Federico García LorcaRodríguez, Israel. January 1974 (has links)
Thesis (Ph. D.)--University of Massachusetts, 1975. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 181-185).
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Federico García Lorca und der islamische Orient die literarische Gestaltung einer kulturellen FernbeziehungSchneider, Mirjam January 2005 (has links)
Zugl.: Tübingen, Univ., Diss., 2005
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Federico García Lorcas "La casa de Bernarda Alba" - dramatischer Text und Aufführungspraxis eine Analyse /Willersinn, Mario. January 2008 (has links)
Freiburg i. Br., Univ., Mag.arb., 2008.
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Margins of poetry performing the formless in Lorca's surrealism /Richter, David F. January 2007 (has links)
Thesis (Ph. D. in Spanish)--Vanderbilt University, Dec. 2007. / Title from title screen. Includes bibliographical references.
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Reality and poetic tradition in Lorca's "Llanto por Ignacio Sanchez Mejias"Collins, Nicholas Jonathan January 1970 (has links)
This thesis studies the elegy that Federico Garcíia Lorca wrote to commemorate the death of his friend Ignacio Sánchez Mejías, fatally gored in mid-August 1934. Because the poem celebrates an historical event attention is first directed to the life of Ignacio and to the details of his fatal injury and its repercussions. Because some of these details have heen incorporated into the poem there follows a commentary on the poem which seeks to explain these references, as well as some of the images and metaphors. Some lines lack a convincing explanation but their obscurity does not hinder to any great extent an overall comprehension of the poem. The second part of the study looks at the history of the Spanish Elegy, tracing its formation and development from the eleventh-century 'Planctus' to the form used by Lorca. It is in the final chapter that Lorca's debt to history and tradition is assessed, at the same time pointing out that the poem, although based on an historical event and drawing from a long tradition of the Elegy, is very much an example of the work of a sophisticated and talented twentieth-century poet. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate
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El conflicto entre la realidad y el deseo en la poesía surrealista de la Generación del 27Castro, Maria Elena. January 2001 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI/Dissertation Abstracts International.
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Las raíces del duende lo trágico y lo sublime en el cante jondo /Mora Contreras, Francisco Javier, January 2008 (has links)
Thesis (Ph. D.)--Ohio State University, 2008.
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