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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 161 to 170 of 209 (0.054 seconds)Spelling suggestions: "subject:"derman drama"" "subject:"bierman drama""
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Studien zu Entstehung und Geschichte der deutschen Passionsspiele des 13. und 14. JahrhundertsBergmann, Rolf. January 1972 (has links)
Habilitationsschrift - Münster. / Bibliography: p. [262]-282.
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| 162 |
Das motiv der vererbung im deutschen drama des 19. jahrhundertsCast, Gottlob Charles. January 1932 (has links)
Thesis (Ph. D.)--University of Wisconsin, 1915. / Without thesis note. "Bibliographie": p. 119-124.
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| 163 |
Zeugnisse mittelalterlicher Aufführungen im deutschen Sprachraum : eine Dokumentation zum volkssprachigen geistlichen Schauspiel.Neumann, Bernd, January 1979 (has links)
Thesis (doctoral)--Universität zu Köln, 1977. / "Die hier vorgelegte Arbeit stellt lediglich den ersten Teil einer umfassenden Untersuchung zur Verbreitung mittelalterlicher geistlicher Spiele im deutschen Sprachgebiet dar"--Pref. (p. [iii]). Includes bibliographical references (p. 268-350).
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| 164 |
Jüdische Figuren in deutschen Bühnentexten des 18. Jahrhunderts eine systematische Darstellung auf dem Hintergrund der Bestrebungen zur bürgerlichen Gleichstellung der Juden, nebst einer Bibliographie nachgewiesener Bühnentexte mit Judenfiguren der Aufklärung /Jenzsch, Helmut, January 1971 (has links)
Thesis--Munich. / Imprint date covered by stamp: 1974. Includes bibliographical references (p. 391-436).
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| 165 |
Das Raumproblem im Drama des Sturm und DrangSchäfer, Horst. January 1938 (has links)
Issued also as diss., Munich. / Includes bibliographical references (p. 106-109).
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| 166 |
Der Wortgebrauch im Expressionismus dargestellt an den Dramen von fünf Hauptvertretern (Goering, Hasenclever, Kokoschka, Sorge, von Unruh /Schwippl-Seitz, Reingard, January 1982 (has links)
Thesis (doctoral)--Ludwig-Maximilians-Universität zu München. / Description based on print version record.
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| 167 |
The influence of Greek antiquity on modern German dramaGorr, Adolph, January 1934 (has links)
Thesis (Ph. D.)--University of Pennsylvania, 1934. / Bibliography: p. 103-105.
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| 168 |
Die rolle der Maria Magdalena im geistlichen spiel des mittelalters Ein beitrag zur kultur- und theatergeschichte Deutschlands,Knoll, Friedrich Otto. January 1934 (has links)
Inaug. Diss.--Greiswald. / Vita. "Aufstellung der benutzten literatur": p. 12-18.
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| 169 |
Kunstkrankheiten und Heilkünste : kathartische Dynamiken durch Samuel Hahnemanns Homöopathie und Bertolt Brechts episches Theater = [Art(ificial) illnesses and healing arts : cathartic dynamics through Samuel Hahnemann's homeopathy and Bertolt Brecth's epic theater] /Regele, Hildegard C., January 2005 (has links)
Thesis (Ph. D.)--University of Oregon, 2005. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 518-539). Also available for download via the World Wide Web; free to University of Oregon users.
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| 170 |
The kiss in the dreamSchrauder, Monika 01 January 2010 (has links) (PDF)
In my thesis I have translated five dramas by Karoline von Günderrode: Mora, written at the latest 1804 but likely 1801/02; Hildgund, created before 1804; Nikator written the middle of 1804; Udohla originated around the turn of 1804/05; Magie und Schicksal written the beginning of 1805; all were published under the pseudonym Tian in 1805, except Mora which was printed in 1804. (Refer to Walter Morgenthaler's Karoline von Günderrode, Sämtliche Werke und Ausgewählte Studien, 90, 116, 142, 147, 156.) Günderrode is usually classified as a writer aligned with German Romanticism, however, her works, like her life, defy easy categorization. Her struggle with contemporary gender roles is especially evident in her dramatic texts, where her idiosyncratic choice of form, structure, themes, and linguistic idioms – which I will present here as a position between German Romanticism and Classicism – locate her in a poetic realm of her own creation. This is a realm in which she can transcend the personal tragedies that permeate her existence and in which her vision of love as a union of equals struggles to find a fulfilling conclusion. This utopian conclusion is denied her both in her dramatic texts and life which ends in tragedy and death.
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