This study examines the interpretive possibilities in the shorter fiction of Post-War German literature. The corpus includes works by Rolf Hochhuth, Friedrich Durrenmatt and Martin Walser. The historical framework of the theory of the novella and short story provides a basis for a discussion of genre, extended to include the coordinates of metaphor and metonymy. With the exception of one text designated as a novel, these works demonstrate interlocking and restricted motif complexes, repetitive and parallel structure and the integration of most narrative components. They project a tenor of hermetic plurality from a vehicle of abbreviated and truncated referential discourse. They use myth and intertextuality to show general principles to be extrapolated from specific contexts. Metafiction complements the theme of the subject not at one with itself. A partial resolution to the incertitude of existence, rendered according to Freud and Lacan, is offered through the emerging role of women as a stabilizing factor.

No description available.

Habilitationsschrift--Göttinger, 1975. / Includes bibliographical references (p [199]-217) and index. Also issued online.

Habilitation - Universität, Bamberg, 2006/07. / Includes bibliographical references (p. [399]-433).

The primary objective of this thesis is to demonstrate the direct relationship between history and literature, with particular reference to literature published in the German Democratic Republic. It explores the period of history from 1945 to 1990 describing the collapse of National Socialist Germany after World War Two; the formation of the Federal Republic of Germany in the West and the German Democratic Republic in the East in 1949; the historical, political and cultural evolution of East Germany until the fall of the Berlin Wall in November 1989, and finally the absorption of the German Democratic Republic into the Federal Republic of Germany in 1990.

Wolfgang Koeppen’s three post‐war novels have often been called a trilogy, purely based on their publication in rapid succession in the early 1950s. This study establishes a connection between the works by looking at their roots in Irish, Anglo‐American, French and German modernism, and shows up links between Wolfgang Koeppen, James Joyce, E.E. Cummings, Charles Baudelaire and Thomas Mann. This comparative analysis concludes, by integrating socio‐political factors of life in West Germany after World War II, that Koeppen transcends the modernist tradition – the fact that modernism has become tradition, i.e. it has become “classic”, in contradiction to being “modern”. Koeppen’s texts do not only allude to and build on classic texts and refer to stylistic and narrative modernist elements such as stream‐of‐consciousness and sketching a fragmented society in turmoil; the very act of recurring to myths and texts of the Western canon in order to depict the disaffected individual is an almost post‐modern one.

No description available.

No description available.

No description available.

Thesis (MPhil (Modern Foreign Languages))--University of Stellenbosch, 2006. / Currently new teaching and learning paradigms are being called for in response to the ever increasing importance of the electronic media and information technologies, such as computers, in our daily lives and in education. In Language Teaching the reading of literary texts has received a lack of attention. The application developed for this study is an attempt to address this shortcoming. The application contains a reading programme which focuses on a German youth novel, Als aus Janusz Jan wurde by Herbert Somplatski, as well additional supporting texts, both literary and non-literary, and background information. By integrating this reading material into an interactive multimedia web-based computer application, it is hoped that it can be shown how reading can be made more attractive and effective in FLA (Foreign Language Acquisition). The application was designed against the background of current and planned South African syllabi for Second Additional Languages and by taking into account modern cognitive-constructivist learning theories, current requirements for multimedia design and CALL (Computer Assisted Language Learning) as well as various reading models and strategies. All these aspects regarding the design of the application and how they affect reading in FLA are discussed in this thesis. In addition a few prognostic suggestions are proposed.