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Though Gide's homosexuality is well-documented, the theme of homosexuality plays a relatively minor role as it affects women in the récit. L'Immoraliste and Geneviève are the only ones in which the theme appears. Therefore, the reader will find little discussion of this subject per se in this work. This study will include only the récit, the art form which has come to be associated with Andre Gide. The récits include: L'Immoraliste (1902), La Porte étroite (1909), Isabelle (1911), La Symphonie pastorale (1919), L'Ecole des femmes (1929), Robert (1929), Geneviève (1936), and Thésée (1946).

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Lumiere de nuit (Creative Works). The five short stories selected in Lumiere de nuit are linked by a central theme that can be described as a venturesome and initiatory quest in the larger story of Reality. The glorification of both the flesh and the spirit is recurrent and validated by the experience of existence. A disturbed atmosphere is imprinted in the inmost being of the characters who are compelled to undergo extremes experiences. The world that is given to them, or that they depict, is divided, the rhythm of life is syncopated as in jazz melodies. Their neurosis translates to the reader in short sentences that have the effect of mental short circuits. Lumiere de nuit, Quadrille, La femme violette, La tasse de the, and Le matin. Avec Beatrice surge at the frontier between Eros and Thanatos, in the tensive state that binds love and hatred, imagination and reality, uniqueness and doubleness. / The Rift: The development of the characters in Andre Gide's Les Faux-Monnayeurs (Critical Essay). Since it is both the witness and the subject of the novel, the protagonist is the most reliable barometer of the reversals that occur within. At the crossroad of times and literary trends, the gidian character, in its fruitful singularity, is a constant source of amazement. Haunted by doubt and fundamental interrogations, this protagonist exists only in imagining life, feels only in imagining feelings, and talks only behind different masks, names and destinies. All of which are the product of its imagination, of course. I intend to analyse the construction of this character, as difficult to seize and define as is Gide, in the author's most accomplished novel, Les Faux-Monnayeurs.

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