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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

L'expérience de la création littéraire dans la poésie de Roland Giguère

Gauthier, Judith Lynn, 1846-1917. January 1975 (has links)
No description available.
2

L'expérience de la création littéraire dans la poésie de Roland Giguère

Gauthier, Judith Lynn January 1975 (has links)
No description available.
3

Roland Giguère ou l'espace habité : lecture phénoménologique de L'âge de la parole et de La main au feu

Gagnier-Morin, Marie 10 May 2024 (has links)
No description available.
4

L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon

Papillon-Boisclair, Antoine. January 2006 (has links)
From the artistic experience of Saint-Denys Garneau, who decided to devote himself to painting and writing at the beginning of the 1930's, to the poetry and essays on art of Claude Gauvreau, Roland Giguere, Jacques Brault or Robert Melancon, Quebec's poetry maintains a fertile dialogue with the art of painting. Whatever form it takes, discourse on art allows the poet to reinforce or refine aesthetic sensibilities, to question the links or the disparities between texts and images, but also to conceive a theory about visual perceptions. Despite all that separates these two expressive modes, literature and painting both produce "visibility": even if some pictures are not figurative or some poems do not contain imagery, visual arts, beyond the topics or themes they provide to writers (landscape, portrait, still life, etc.), contribute to the development of "ways of seeing", ways of perceiving sensitive reality and of inserting oneself as a subject in the world. This is particularly true in the works of the three poets around which the main parts of this study are centered: Saint-Denys Garneau, for whom painting is a way of "learning to see" (apprendre a voir), Roland Giguere, whose poetic and artistic works share a desire to "give to see" (donner a voir), and finally Robert Melancon, who borrows from painters ways to "make see" (faire voir). By using notions and concepts that come from disciplines close to Aesthetics, this work proposes to circumscribe those "ways of seeing" and to assess how painting acts as a "seeing school" (ecole du regard) for these three authors. More broadly, since discourse on painting can be found throughout Quebec's modern poetry, this study also constitutes a point of view on the history of poetry in Quebec since Saint-Denys Garneau. / Keywords: Quebec poetry, painting, Aesthetics, visual perception, history of literature.
5

L'école du regard : poésie et peinture chez Saint-Denys Garneau, Roland Giguère et Robert Melançon

Papillon-Boisclair, Antoine. January 2006 (has links)
No description available.

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