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Thèse de doctorat : Littérature française : Rennes 2 : 2007. / Bibliogr. f. 270-276.

Originally presented as the author's Thesis (Brown University, 1999), under title: Autres voix : sexuality and literary genre in the works of Marguerite Yourcenar and Julien Green. / Includes bibliographical references (p. [135]-139).

Originally presented as the author's Thesis (Brown University, 1999). / Description based on print version record. Includes bibliographical references (p. [135]-139).

« Thèse présenté à l'École des graduées pour l'obtention du grade maître ès arts (M.A.) »

Made available in DSpace on 2014-06-11T19:35:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-02-26Bitstream added on 2014-06-13T20:26:33Z : No. of bitstreams: 1 porto_cfc_dr_sjrp.pdf: 908868 bytes, checksum: e498e676fc9599dac30c9c68e2cff753 (MD5) / A presente Tese tem como objetivo analisar e comparar as obras de Cornélio Penna e Julien Green, romancistas católicos, a partir dos romances Fronteira (1935) e Le voyageur sur la terre (1927). Procuraremos, no primeiro capítulo, situar esses escritores em sua época, a década de 30, além de estabelecer a relação desses com o catolicismo. Em seguida, no capítulo de análise das obras, levantaremos uma série de temas recorrentes que compõem a narrativa. No terceiro capítulo, faremos uma breve exposição do caráter sobrenatural, um tanto ilusório, criado pelo misticismo religioso. Em toda a pesquisa pretendemos detectar algumas afinidades que vinculam os romancistas, que permitam-nos compreender como foram produzidos textos tão próximos, além de evidenciar a expressão religiosa de ambos. Abordaremos, portanto, correlações entre os dois autores, com o objetivo de possibilitar uma apreensão mais enriquecedora do romance introspectivo. / This Ph.D. Dissertation aims at examining and comparing the novels Fronteira (1935), by Cornélio Penna, and Le voyageur sur la terre (1927), by Julien Green. These authors are known as Catholic novelists. In the first chapter, the period in which these writers produced, the 30s, is discussed, and their relation to Catholicism is also established. In the following chapter, the novels are analyzed, and a series of recurrent themes that are present in the narratives are shown. In the third chapter there is a brief explanation of the somewhat illusory supernatural feature created by religious mysticism. The objectives of this study are to verify some affinities connecting the novelists in order to point out how such similar texts could be written, besides demonstrating the writers religious expression. Similarities between the two authors are approached with the purpose of allowing a more enhanced comprehension of the introspective novel.