Thesis (Ph. D.)--University of Newcastle, 1980. / Department of Classics. Includes bibliographical references (leaves 394-397). Also available online.

Thesis (D.Mus.Arts)--University of Washington. / Bibliography: l. 127-129.

Zugl.: Heidelberg, Univ., Diss., 2003 u.d.T.: Busse, Ralf: Wahrnehmung, indexikalisches Denken und die Möglichkeit einer phänomenologischen Reflexion

Thesis (D.Mus. Arts)--University of Washington, 1987. / Vita. Bibliography: leaves [169]-174.

Th. 3e cycle--Lettres modernes--Lyon II, 1980. / Contient les deux versions de "Lélio ou le Retour à la vie" d'Hector Berlioz. Bibliogr. p. 215-222.

Heidelberg, Universiẗat, Diss., 2003. / Dateien im PDF-Format.

The minor choral works are those exclusive of the well-known choral works. Symphonic movements for chorus are also excluded. Conflicting and incomplete information from the composer himself and from secondary sources were principal research problems. The published letters, the memoirs, and a small number of secondary sources, containing little more than passing references, form the body of the research material beyond the scores themselves. The arrangement is by opus number, with unpublished works inserted chronologically by date of composition. A description of the circumstances surrounding each work' s composition precedes a study of the music within each chapter. The last chapter delineates stylistic characteristics of the minor choral works.

The discussion concentrates on Hector Berlioz's second opera, Les Troyens, which is Berlioz's final large work written between 1855-1858. The study demonstrates how the opera is unified through its drama and music. Les Troyens, a five-act tragic opera that is based on Virgil's Aeneid, is perhaps one of Berlioz's least known major works. The orchestral score had not been published in its entirety until 1969, when a two-volume edition of the opera was published by Bärenreiter in the New Edition of the Complete Works of Hector BerIioz. The first complete recording of Les Troyens, conducted by Colin Davis, was released by Philips records in 1972. These two sources have made an analysis of this important work of the nineteenth century possible. The study includes a survey of the dramatic influences of Virgil and his Aeneid, and the poetry of Shakespeare, in addition to the musical influences of Gluck's operas, the compositions of Lesueur, the symphonies of Beethoven, Weber's opera, Der Freischütz, and the French grand opera style, which all contributed to the opera.

Thesis (Ph. D.)--Columbia University, 1916. / Published also without thesis note. "Reprints from Crèvecoeur": p. 346-350.

Thesis (Ph. D.)--Columbia University, 1916. / Published also without thesis note. "Reprints from Crèvecoeur": p. 346-350.