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Studie zu "Boulevard solitude, lyrisches Drama in 7 Bildern" von Hans Werner HenzeWagner, Hans-Joachim. January 1988 (has links)
Thesis (doctoral)--Universität zu Köln, 1988. / Includes bibliographical references (p. 308-332).
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Studie zu "Boulevard solitude, lyrisches Drama in 7 Bildern" von Hans Werner HenzeWagner, Hans-Joachim. January 1988 (has links)
Thesis (doctoral)--Universität zu Köln, 1988. / Includes bibliographical references (p. 308-332).
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An analysis for performance of selected unaccompanied works for trumpet by Robert Henderson, Hans Werner Henze and Verne ReynoldsMcGlynn, Brendan K. January 1900 (has links)
Thesis (Ph.D.)--University of Nebraska-Lincoln, 2007. / Title from title screen (site viewed Dec. 5, 2007). PDF text: 79 p. : music ; 6 Mb. UMI publication number: AAT 3271908. Includes bibliographical references. Also available in microfilm and microfiche formats.
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Bedingungen librettistischen Schreibens : die Libretti Ingeborg Bachmanns für Hans Werner Henze /Beck, Thomas, January 1997 (has links)
Diss.--Theaterwissenschaft--Erlangen-Nürnberg--Friedrich-Alexander-Universität, 1996. / Bibliogr. p. 285-310.
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Am Ende, wortlos, die Musik : Untersuchungen zu Sprache und Sprachlichkeit im zeitgenössischen Musikschaffen /Kogler, Susanne, Kolleritsch, Otto. January 2003 (has links)
Revision of the author's thesis (doctoral)--Universität für Musik und darstellende Kunst, Graz, 2001. / Includes bibliographical references (p. 218-236) and abstract in English (p. 237).
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Considerations in the realization of an oboe concerto : an oboist's viewpoint.Saunders, Robin Estridge. January 1979 (has links)
This thesis is divided into three main sections. Part I concerns general aspects of performance, whilst Part II deals specifically with performance aspects of the Double Concerto for Oboe, Harp and Strings by Hans Werner Henze. Part III is a summary and conclusion of Parts1 and 11. It is hoped that this thesis will provide both a fresh approach to performance in general and also to the performance of Henze's double concerto. I have chosen to discuss aspects of Henze's double concerto, because of its significance as a major oboe concerto in the repertoire and the demands it makes on the oboist both as interpreter and technician. / Thesis (M.Mus)-University of Natal, Durban, 1979.
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