Society ‘obscures itself’ by presenting a world that is self-contained and logical (Barthes, 1973) – a world underpinned by a transparency of its underlying systems of meaning. This formulation maps the theoretical location of the dissertation, by which an investigation into tourism, as an economic and political expression of contemporary culture, occurs. More specifically, the dissertation addresses the type of tourism that bisects narratives of history and of cultures – that popularly described under the label of cultural tourism. Thus it employs an array of critical tourism and cultural theory, to offer an exposition on how best to understand the articulation of meaning in the consumption of ‘place’, formations of heritage and Otherness. The study also explores the epistemological nature/agendas of the so-called ‘Image of Africa’ and the ‘Absolute Other’, and how these are recycled in the parameters of modernity. Using a genealogical approach to studying discursive formations articulating some kind of Zulu Otherness, the dissertation grounds these conventions of identity predominantly in the symbolic practice of a colonial Western society. This exposes the arbitrary, constructed nature by which contemporary society governs itself. Methodologically, the research applies participant observation and semiotic analyses, predominantly in the cultural/filmic village of Shakaland, near Eshowe, KwaZulu-Natal, to explore how the constructions of identity manifest and are negotiated and consumed in the activity of this tourism. / Thesis (M.A.)-University of KwaZulu-Natal, 2011.

No abstract available. / Thesis (M.A.)-University of Natal, Pietermaritzburg, 1999.

The study outlines the impact a community based tourism project has on poverty alleviation in Isithumba. Isithumba Adventure Tourism village is the case analysed in this study. This community based tourism project has been developed in KwaZuluNatal, a place called Isithumba found in KwaXimba Tribal Authority outside Durban. The rationale behind the study is to determine whether the Isithumba community based project had a positive impact, negative impact or no impact on the standards of living of the KwaXimba community. This has been achieved through the use of interviews conducted by the researcher in terms of which a survey questionnaire was used to obtain information from the respondents in one hundred households covered by the study. A supplementary questionnaire was also formulated to obtain background information from people who were employed in the project and other key informants. In this regard, the quantitative study was chosen to express in numerical values and to analyze what the studied community feels about the project and its impact on their lives. The study concluded that the project, which was perceived by the community to bring about positive economic, socio-cultural and environmental impact, has produced lower results than anticipated. Those who had been directly involved have witnessed positive impact in the form of job creation, entrepreneurial opportunities and skills development. However, the rest of the local community did not find the project beneficial to them. The researcher therefore concluded that community based tourism projects, if well managed and properly planned, could have positive impact on the local communities, but in this case, the impact was minimal. / Thesis (M.A.)-University of KwaZulu-Natal, Durban, 2010.

Media promoting cultural tourism is argued to present specific romantic cultural attributes. In the case of Zulu cultural villages, the image offered is of militarism and bare-breasted maidens. The Western gaze offers the template within which such spectacle is constructed. PheZulu Safari Park is one such venture in the KwaZulu-Natal midlands that offers tourists a "uniquely African experience". Cell phones are rapidly proving to be a viable and accessible medium through which individuals can represent themselves. This dissertation evaluates the use of camera-enabled cell phones by Zulu cultural village performers. The subject-generated representation is analysed in order to assess the performers‘ view of the typical Zulu representation in the media, using a participatory video and participatory communication for development framework. A qualitative methodology was used to conduct focus groups, with field notes and unstructured interviews adding depth to the data. Thematic analysis was applied to the collected data, which included the cellphilms produced by the cultural performers. It was found that video enabled cell phones are indeed a viable technology to use in place of traditional digital video cameras in a participatory video project. The cellphilms that the participants produced negated the typical western media disseminated representation of Zulu culture, as is typified in the participants‘ performance at PheZulu Cultural Village. Although the cellphilms were not specifically targeted at promoting their cultural performance at PheZulu, significantly, it was not dismissing their performance‘s validity either. Instead, the participants used the cellphilms to express other, more personal, aspects of their culture. / M.Soc.Sc. University of KwaZulu-Natal, Durban 2013.

This dissertation critically evaluates the intersections of tourism, heritage conservation, and visual communication by exploring the display materials and Museology within the Didima Rock Art Centre, at Cathedral Peak, southern Drakensberg, KwaZulu-Natal. The text consists of three chapters. The first chapter introduces rock art and current research and conservation concerns in relation to heritage and rock art. The second chapter serves as an introduction to the Didima Rock Art Centre. A discussion raises important issues about visual communication in regard to the representation of the Southern San and rock art as material culture both in this museum context. Chapter three investigates and analyses the museum practices that have been used as a visual communication within the Centre by discussing methods that have been used in the museum and its auditorium. A conclusion follows that summarizes the candidate's findings regarding museum display within the Centre, and its impact on tourism and heritage conservation in relation to the Southern San and rock art. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.