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Journeying to sacred places is an ancient yet contemporarily popular tradition in the Hindu society of India. At the outset of this thesis, the philosophical foundations and general patterns of pilgrimage practice in West Bengal, India, where fieldwork was conducted, are discussed. Case studies of three West Bengali pilgrimage centres — Tarakeswar, Navadvip and Tarapith, which are Śaiva, Vaiṣṇava and Śākta sacred places, respectively — reveal the considerable diversity in the regional pilgrimage tradition. In analysing each of these centres, ethnographic data on the social and economic organisation of specialised religious places, roles of sacred specialists, beliefs regarding the deities, patterns of ritual, and social characteristics and behaviour of pilgrims are presented. The literature on pilgrimage is reviewed in search of theoretical tools for the task of generalising about pilgrimage, inclusive of the evident diversity. Analysis and criticism of existing theories indicates that analysts have focused on limited aspects of pilgrimage practice which conform to disciplinary boundaries rather than seeking the patterned consistencies which define the full institution. Comparison of the three case studies reveals that the variation in religious patterns in the centres relates to wider traditions of religious culture in Bengal: the several strands of pilgrimage tradition generally replicate the sub-traditions of Bengali Hinduism and patterns of belief and practice in any sacred place are closely associated with the religious tradition of the regional cult which dominates that centre. It is possible, however, to identify two levels at which the diversity of the pilgrimage institution is founded in systematic conceptual unity. Both levels concern the meaning of pilgrimage within prevalent patterns of Bengali Hinduism. The explicit meaning of pilgrimage in the conscious thought of participants emphasises the journey to the deity's terrestrial abode in search of interaction with the divine. Implicit within this patterned behaviour are important Hindu metaphysical concepts — the implicit ideology of pilgrimage — which invest pilgrimage with meaning derived from abstract Hindu religious thought.

This research A Descriptive Visual Analysis of the Survival of Tamil Arranged Marriage Rituals and the Impact of Commercialism is a critical analysis of ritual performances as a key component of Tamil wedding ceremonies. These rituals are performed before, during, and after the wedding and are interrogated throughout in this dissertation. This research explored and attempted to identify the significance of ritual performances in Tamil people’s marriages of southern India. Through the documentation and unpacking of traditional Hindu wedding celebrations, this study examined how these ancient rituals have been influenced by the modern world. It explored how cultural beliefs are negatively impacted through the commercialisation of wedding ceremonies and how they justify the maintenance of ritual practice. Symbolic activities and ritual performances are studied and discussed throughout this study by observing various Tamil wedding ceremonies and conclusions are drawn through conversations with couples and parents who have participated in such events. The dissertation further explores the ways in which these rituals are ultimately reflected and represented in artistic practice, inspired by the works of various artists who engage with their mediums in a ritualistic manner. / Art History, Visual Arts and Musicology / M.VA (Art, History, Visual Arts and Musicology)