Thesis (PhD)--University of South Australia, 2001

This dissertation explores the means by which Hindus in the United States theorize and cultivate desires in the midst of the larger project of making Hindu subjectivities for themselves and their children. It suggests that the cultivation of desire—while significant in creating any type of subjectivity anywhere—is a centerpiece of making identities for Hindus in the diaspora. From its very beginnings, in reference to Jews, the language and sentiment of diaspora have always been associated with desires. Specifically, there is the longing for the homeland, which most diasporic communities have cultivated. For many Hindus, the idea of India as a desired ‘homeland’ is also fundamental, but for them, as throughout history, the desires associated with diasporic experiences have been enacted in a range of ways and they have always been about more than simply place. Hindu parents and community members are engaged in the development of other types of desires—moral-spiritual, theological, narrative-historical, “sanctioned” romantic and familial, gastronomic, and material. Many contemporary practices of Hindus in the diaspora—educational, ritual, representational, political, and consumer—revolve around the inculcation and fulfillment of desires, for both children and adults. Desire is a recurrent trope, articulated differently by parents, teachers, community leaders, married couples, students, young adults, devotees, and children. Not only do people express their own desires, but they negotiate, facilitate or hinder the desires, both real and perceived, of others. Through an examination of various Hindu realms and practices, I trace some of the types of Hinduism that are forming in the United States, as well as the affective cultures and desires that seem to animate them. The chapters explore: the development, content and cultures of Hindu supplementary educational programs; new modes of Hindu exhibition as ritual and devotional practices, and as reflections of collective desires about Hindu representation; the role of consumer cultures—particularly the place of ethnic stores and practices of shopping; the rise in forms of Hindu advocacy, particularly with respect to the concomitant desires to control representations of Hinduism and Indian history within educational and other public spheres; the place of Hindu nationalism and the motivations of participants in a variety of Hindu spaces; and the expression of ‘strategic citizenship’ on the part of a Hindu community seeking public recognition and acceptance. My hope is that this work not only sheds light on processes at work within contemporary Hindu communities in the U.S., but helps us to consider larger human questions about the development of religious selves and sensibilities, the shaping of identities, the cultivation of belonging, the negotiation of public and civic spheres, and the politics and poetics of nationalism and self-representation. The ways people locate themselves and are located by others, both consciously and unconsciously, are often artifacts of desire, and it is through desire that various identifications are negotiated.

Thesis (Ph. D.)--York University, 2006. Graduate Programme in Sociology. / Typescript. Includes bibliographical references (leaves 323-352). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004 & res_dat=xri:pqdiss & rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation & rft_dat=xri:pqdiss:NR29518.

In its Constitution, postcolonial India acknowledges the caste-based practice of "untouchability" as a social and historical wrong, and seeks to redress the effects of this wrong through compensatory discrimination. Dalits are recognized by the state as having suffered the effects of untouchability, and thus as eligible for statutory protections and remedial measures, on the condition that they profess no religion "different from the Hindu religion" (a condition later expanded to include Sikhism and Buddhism as well). The present work charts the career of the idea underlying this condition of recognition - the idea that the "untouchable," insofar as she has not converted to Islam, Christianity, or another "world religion," must be Hindu - and its consequences, from the late nineteenth century to the present. Historically and ethnographically grounded in the community life of the sanitation labor castes - those Dalits castes that perform the vast majority of South Asia's sanitation work - in the north Indian city of Lucknow, the study tracks the idea from its ruptive colonial beginnings to its propagation by Hindu nationalists, induction into mainstream nationalism and installation in the edifice of postcolonial law. This is also an account of the everyday effects of postcolonial India's regime of recognition in the present: what it confers, what it transforms, what hides in its shadows.

Thesis (M.A.)--Oregon State University, 2008. / Printout. Includes bibliographical references (leaves 116-119). Also available on the World Wide Web.

This study seeks to explore the relationship between religious ritual and theatre through an examination of the manner in which the Hindu religion functions. In the Introduction to this thesis, the nature of both religious rituals and theatre, and the similarities that exist between ' these forms of performance, are explored. At the heart of any performance is the desire to communicate. Religious rituals are primarily a means of communicating the philosophy of a particular religion. In this thesis, the basic beliefs and philosophy of the Hindu religion are described; the imagery, symbols and mythology, that have evolved with the religion, are analysed as extensions of the basic philosophy of the religion; and the manner in which these symbols and images function in Hindu religious practices is examined. This is followed by a detailed documentation of two Hindu rituals. The first, the Havan is a home based ritual, while the second, the Fire-Walking Festival, is temple based. The historical evolution of these rituals, based on essentially scriptural evidence, is also examined. An overview of the impact of the Hindu religion on Indian theatre concludes this dissertation. / Thesis (M.A.)-University of Natal, Durban, 1991.