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The art of decolonisation : on the possibility of socially engaged art in the postcolonial context of East AsiaYamamoto, Hiroki January 2018 (has links)
Through a new idea of ‘the art of decolonisation’, this thesis explores the possibility of socially engaged art in the postcolonial context of East Asia. Japan, throughout its national history as an expanding empire from the late 19th century to the Second World War, has left a large number of unresolved legacies of colonialism in East Asia. These problematic legacies had remained almost intact within the architecture of Cold War, the bipolar confrontation between the United States and the Soviet Union, formed immediately following WWII. After the collapse of the Cold War structure in the late 1980s, then, the task of ‘decolonisation’ has become extremely pressing in East Asia. This thesis aims to unearth the potential contribution of art to the incomplete project of decolonisation, with its emphasis on, first, its visual and sensory nature and, second, the significance of ‘participation’ and ‘collaboration’ as method. The first part of this thesis is an art-historical and cultural studies investigation of discursive practices of decolonisation in East Asia and Britain. It accompanies a theoretical reconsideration of the concept of ‘decolonisation’ and a historical reflection of the postcolonial statuses of these regions. The second part is a practice-based investigation on art’s potentiality in tackling postcolonial issues in East Asia. It discusses and analyses my own art projects conducted in Japan and Korea between 2014 and 2016. ii This thesis will help advance decolonisation of knowledge in two directions. The contribution to knowledge of this thesis is twofold. First, it expands the notion of ‘socially engaged art’ theorised in the West by examining works and projects in East Asia in conjunction with a geo-historical setting of the non-Western world. This will contribute to the development of the scholarship critical to Euro-American centrism, dominant in Cultural Studies, in understanding non-Western art. Second, it proposes applied methods integrating artistic practice for addressing the contentious agendas that stem from colonial historiography of East Asia. This will lead us to a viable methodology that might open up alternative pathways toward more reconciled postcolonial relations among East Asian countries and regions.
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of Panicoids and Pooids: An Environmental Archaeology Study of the Seventeenth-Century Houselot at Rich Neck Plantation, Williamsburg, VirginiaSullivan, Kelly Ann 01 January 1999 (has links)
No description available.
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A formal analysis of the clay pipes from Green SpringCrass, David Colin 01 January 1981 (has links)
No description available.
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An Archaeological Study of the Eastern Shore of VirginiaWittkofski, John Mark 01 January 1988 (has links)
No description available.
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Archaeology at Bennett Farm: The Life Style of a Seventeenth-Century Middling Planter in York County, VirginiaLuccketti, Nicholas Michael 01 January 1990 (has links)
No description available.
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An archaeological survey of "The Governor's Land," James City County, VirginiaSprinkle, John Harold 01 January 1984 (has links)
No description available.
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The Federal Archeology Program as Seen from the InsideScherff, Susan Katherine 01 January 1987 (has links)
No description available.
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The Ceramics from 44JC298: A n Undocumented Late-Eighteenth Century Domestic Site, James City County, VirginiaWhite, Esther Celeste 01 January 1991 (has links)
No description available.
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Critique of Analytical Techniques Used in the Processing of Iron Recovered from Historic Sites in North AmericaLongford, Nicola Jane Margaret 01 January 1993 (has links)
No description available.
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Battlefield Archaeology: A Case StudyRobblee, Patrick Paul 01 January 1995 (has links)
No description available.
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