Please note: Editorial Studies works are permanently embargoed in OpenBU. No public access is forecasted for this item. To request private access, please click on the locked Download file link, and fill out the appropriate web form. / This edition is an annotated selection of the correspondences of two screenwriters, Michael Blankfort and Albert Maltz, who were affected by institutional anti-communism. Both were subpoenaed to appear before the House Committee on Un-American Activities (HUAC): Maltz refused to answer questions, went to prison for contempt of Congress as a member of the Hollywood Ten, and was blacklisted from the film industry for nearly two decades; Blankfort cooperated with the committee and continued to work in Hollywood. They had been close friends for quite some time, but never spoke again following Blankfort’s HUAC appearance, despite a few attempts by Blankfort at renewing the friendship. The letters span five decades, beginning with the period of radicalization in the 1930s, through the era of blacklisting and all that followed in its wake, and ending with their deaths in the 1980s. Blankfort and Maltz’s encounters with HUAC affected them their entire lives after: Blankfort in his need to defend his actions even decades later, and Maltz in his need to denounce any person who cooperated with the committee. The letters demonstrate humanity through the difficulty of the situation, the struggle of navigating the politics of the times, and are the writers’ attempts to explain and justify their actions. / 2031-01-01

On the Blacklist: Hollywood Reds and Witch Hunting in the American Motion Picture Industry (1947-1960) Abstract At the beginning of the Cold War, the American motion picture industry was struck with a "witch-hunt" that led to establishment of the so-called blacklist. Due to this controversial policy, three hundred "Reds" (actual or perceived members of the U.S. Communist Party) were shut out from work in Hollywood during 1947-1950. The first explanation of this phenomenon can be seen in the bipolarity of the post-war world where the United States took leadership in a crusade against the Soviet Union. One result of this seemingly international crusade was that it also became domestic-followers of the U.S. Communist Party became actual public enemies. A deeper analysis of whole issue, however, requires that other elements must be seriously taken into account. The microcosm of Hollywood, some principles of American thinking and the activities of the Reds themselves provide crucial insights into comprehensively understanding the complexity of blacklisting. Experience with the Hollywood blacklist included many different aspects. First of all, it was a political battle with the "inquisitors" from the House Committee on Un-American Activities who helped establish the anti-Communist policy in American motion...