Thèse--Histoire de l'art--Paris 1, 1993.

Thèse de doctorat--Paris 1, 1992.

Thèse de doctorat : Littérature comparée : Paris 12 : 2007. / Version électronique uniquement consultable au sein de l'Université Paris 12 (Intranet). Titre provenant de l'écran-titre. Bibliogr. : 308 réf. Index.

Thèse de doctorat : Lettres et Arts : Lyon 2 : 2001. / Titre provenant de l'écran-titre. Bibliogr.

Also published as thesis, Université de Montpellier. / Includes bibliographical references.

Notre-Dame de Paris 1482, by Victor Hugo, is a work which collects many genres. This poetry however gives all signs of clumsiness (let us think of Gringoire's play or of Quasimodo's "verses"), of vulgarity (the language used by the rogues, Jehan Frollo's drinking songs), of analphabetism (a condition shared by Esmeralda, Quasimodo, and "le peuple"), of the secular, even more of the profane (the heresy and anticlericalism present in the novel). The poetry of Notre-Dame de Paris is scattered (dissipated) into a number of under-texts which appear to perturb the rules of "good" literature. / A first part of this thesis examines a few characteristics of the writing of Hugo: its tendency toward a certain declassification, as well as some of its most important aesthetics, such as the grotesque and the excessiveness. A second section is an analysis of different aspects of Gringoire's morality, songs of Jehan and Esmeralda, Quasimodo's "poem"--these aspects being studied through the element of locality and the theme of the volatile.

No description available.

Also published as thesis, Université de Montpellier. / Includes bibliographical references.

Thèse Lett. Berne.

Thesis (Ph. D.)--Columbia University, 1938. / Vita. Published also as Columbia University studies in English and comparative literature. No. 134. Bibliography: p. [299]-320.