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O Livro Infantojuvenil em Portugal entre 1870 e 1940 - uma Perspetiva HistóricaPaula Raquel da Silva Patriarca de Oliveira Paiva Ribeiro 07 May 2013 (has links)
No description available.
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A Fricativa Coronal /S/ em /#(Ø)SC/ em Português EuropeuMaria Isabel Dias Henriques 29 January 2014 (has links)
No description available.
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O Financiamento da Coroa Portuguesa nos finais da Idade Média: entre o "Africano" e o "Venturoso"Rodrigo da Costa Dominguez 17 January 2014 (has links)
No description available.
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SPECTRUM: Uma norma de gestão de coleções para os museusAlexandre Manuel Ribeiro Matos 29 May 2013 (has links)
No description available.
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(...) visitamdo nós ora pessoalmente o dito mestrado de Samtiaguo (...) As Igrejas da Ordem Militar de Santiago. Arquitectura e MateriaisMário Raúl de Sousa Cunha 18 April 2013 (has links)
No description available.
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O Império na Câmara dos Deputados: As marcas de um discursoRui Manuel dos Reis e Silva Marques 28 May 2013 (has links)
No description available.
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O Pensamento como espaço de criação :estudos das noções de "disciplina", "medium"e "práticas" na relação entre a filosofia e o desenhoPedro Miguel Abreu Henriques da Paixão 19 June 2013 (has links)
No description available.
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Ermida do Paiva - Arquitetura e EsculturaCláudia Gonçalves Lopes Cunha 02 December 2015 (has links)
No description available.
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O terrorismo internacional e o terrorismo doméstico: o caso da ETABegoña Garrido Ruiz 04 April 2013 (has links)
No description available.
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Directoras Españolas: Representación y Construcción de Lla Identidad Femenina en el Período de Post-FrancoUnknown Date (has links)
This project investigates the progress of Spanish women filmmakers and their films that have served as critical discourse in the social construction of women's identities and rights within the historical context of the post-Franco era in Spain. These filmmakers use the institution of the cinema as a medium of critical discourse on the changes in Spanish society. The films of Josefina Molina (Función de noche [1981], Lo más natural [1990], Santa Teresa de Jesús [1984]), Cecilia Bartolomé (Vámonos Bárbara [1977] y Después de…, [1979]), Pilar Miró (Tu nombre envenena mis sueños [1996] y Beltenebros [1991]), Iciar Bollain (Te doy mis ojos [2003] y Mataharis [2007]) y Pilar Távora (Yerma [1998]) are analyzed as feminist critical discourse that aims to criticize the patriarchal hegemony. This research provides insight into the historical evolution of women through the protagonists in their films, social change, and the transformative representation of contemporary post-Franco women in Spain. / A Dissertation submitted to the Department of Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of
Philosophy. / Summer Semester, 2010. / March 29, 2010. / Includes bibliographical references. / Brenda Cappuccio, Professor Directing Dissertation; Delia Poey, University Representative; Reinier Leushuis, Committee Member; David Johnson, Committee Member.
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