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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Asserting identity in Wagner's shadow the case of Engelbert Humperdinck's Königskinder (1897) /

Kinnett, Forest Randolph. January 2004 (has links)
Thesis (M.M.)--University of North Texas, 2004. / Includes bibliographical references (p. 59-62).
2

Asserting identity in Wagner's shadow the case of Engelbert Humperdinck's Königskinder (1897) /

Kinnett, Forest Randolph. January 2004 (has links)
Thesis (M.M.)--University of North Texas, 2004. / Includes bibliographical references (p. 59-62). Includes bibliographical references.
3

Die Klavierlieder Engelbert Humperdincks

Gerstner, Annette. January 1984 (has links)
Thesis (doctoral)--Universität zu Köln, 1983. / Includes bibliographical references (p. 193-197) and index.
4

Stil und Form in der Musik von Humperdincks Oper "Hänsel und Gretel"

Kuhlmann, Hans, January 1930 (has links)
Thesis--Marburg. / Cover title. Vita. Includes bibliographical references (p. 71-72).
5

Stil und Form in der Musik von Humperdincks Oper "Hänsel und Gretel" /

Kuhlmann, Hans, January 1930 (has links)
Thesis -- Marburg. / Cover title. Vita. Bibliography: p. 71-72.
6

Werkhören im Musikunterricht als Sach- und Personagenese aufgezeigt an der Oper "Hänsel und Gretel" von Engelbert Humperdinck /

Schulte, Doris. January 1900 (has links)
Thesis (doctoral)--Universität zu Köln. / Includes bibliographical references (p. 296-308).
7

Werkhören im Musikunterricht als Sach- und Personagenese : aufgezeigt an der Oper "Hänsel und Gretel" von Engelbert Humperdinck /

Schulte, Doris. January 1900 (has links)
Thesis (doctoral)--Universität zu Köln. / Includes bibliographical references (p. 296-308).
8

Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's Königskinder (1897)

Kinnett, Forest Randolph 08 1900 (has links)
Engelbert Humperdinck (1854-1921), who was considered a Wagnerian due to to his past work in Bayreuth and the Wagnerian traits of his Hänsel und Gretel, seems to have believed that to define himself as a composer, he had to engage somehow with that designation, whether through orthodox Wagner imitation or an assertion of his independence from Wagner's musical legacy. The latter kind of engagement can be seen in Humperdinck's Königskinder (1897), in which he developed a new kind of declamatory notation within the context of melodrama, thus fulfilling Wagnerian ideals as well as progressing beyond them. The effectiveness of Humperdinck's effort is seen in the ensuing critical reception, in which the realities of being heard as a Wagnerian composer are clarified.

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