Global ETD Search

1	Collaborative computer music composition and the emergence of the computer music designer Faia-Harrison, Carl January 2014 (has links) This submission explores the development of collaborative computer music creation and the role of the Musical Assistant, or Computer Music Designer, or Live Electronics Designer, or RIM (Réalisateur en informatique musicale) and does so primarily through the consideration of a series of collaborations with composers over the last 18 years. The submission documents and evaluates a number of projects which exemplify my practice within collaborative computer music creation, whether in the form of live electronics, tape-based or fixed media work, as a live electronics performer, or working with composers and others to create original tools and music for artistic creations. A selection of works is presented to exemplify archetypes found within the relational structures of collaborative work. The relatively recent development of this activity as an independent metier is located within its historical context, a context in which my work has played a significant role. The submission evidences the innovative aspects of that work and, more generally, of the role of the Computer Music Designer through consideration of a number of Max patches and program examples especially created for the works under discussion. Finally, the validation of the role of the Computer Music Designer as a new entity within the world of music creation is explored in a range of contexts, demonstrating the ways in which Computer Music Designers not only collaborate in the creation of new work but also generate new resources for computer-based music and new creative paradigms. 786.7
2	Les tendances esthétiques de la musique contemporaine dans les festivals : Manca, Nice, Musica, Strasbourg, EIC/IRCAM, Paris : 1990-1994 / Vanel, Jeanne. January 2003 (has links) Th. Etat--Lettres et sciences humaines--Aix-Marseille--Univ. de Provence, 1998. / Liste des compositeurs et oeuvres interprétés aux trois festivals de 1990 à 1994 p. 485-523. Bibliogr. p. 524-535. Index.
3	La musique spectrale face aux apports technoscientifiques / Spectral Music & Technoscience : the emergence of a compositional model Olivieri Catanzaro, Tatiana 07 December 2013 (has links) La naissance de la musique spectrale et du modèle compositionnel qui la sous-tend a été conditionnée par un contexte technoscientifique spécifique, au carrefour de disciplines aussi diverses que la physique, la psychoacoustique, l’électronique, l’informatique ou la philosophie. Le présent travail de thèse en retrace certaines des étapes. Tout en remontant jusqu’à l’avènement de la science moderne au XVIIe siècle, elle aboutit à une caractérisation de ce courant esthétique comme un exemple de révolution non-cartésienne dans le sens que Bachelard donna au terme dans son Nouvel Esprit Scientifique. Parallèlement, elle reprend les acquis musicaux antérieurs et montre comment la musique spectrale s’est constituée en thématisant les tentatives de systématisation du son complexe comme élément porteur de forme apparus tout au long du XXe siècle. / The rise of spectral music and of the compositional model that lies at its base has been conditioned by a specific technoscientific context, at a crossroads between disciplines as diverse as physics, psychoacoustics, electronics, computer sciences and philosophy. The present thesis retraces some of its stages. While going back to the advent of modern science in the 17th century, it leads to a characterization of this aesthetic movement as an example of a non- Cartesian revolution in the sense that Bachelard gave the term in The New Scientific Spirit. At the same time, it considers previous musical advances and shows how spectral music has formed itself by ‘thematizing’ attempts from throughout the 20th century to systematize complex sounds as form-bearing elements. Musique Spectrale Modélisation Composition Musicale Technologie Science XXe Siècle Technoscientifique Technomorphisme Spectral Music Compositional Model Musical composition Technology Science Technomorphism Technoscience Ircam Bell Laboratories CCRMA 780
4	An Investigation of Technological Impressions in Steve Reich and Beryl Korot's Three Tales MacRobbie, Danielle Elizabeth 19 December 2013 (has links) No description available. Biology Ethics History Information Technology Medical Ethics Military History Minority and Ethnic Groups Music Technology Theology Spirituality Robotics Robots Nanotechnology Steve Reich Beryl Korot Three Tales Technology Hindenburg zeppelin Bikini Atoll Cloning electronic music IRCAM freeze frame sound new music theater Kismet human connectedness human isolation technology and art art and politics paradox

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