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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Christ Pantocrator the unsettled debate over the humanity and divinity of Jesus /

Trujillo, D. Morgan. January 2008 (has links) (PDF)
Undergraduate honors paper--Mount Holyoke College, 2008. Dept. of Religion. / Includes bibliographical references (leaves 78-80).
2

St. Nikodemos the Hagiorite on Byzantine iconography

Kordis, George D. January 1989 (has links)
Thesis (Th. M.)--Holy Cross Greek Orthodox School of Theology, 1989. / Includes bibliographical references (leaves 71-81).
3

The iconography of the archangel Michael on Byzantine icons /

Peers, Glenn Alan. January 1986 (has links)
No description available.
4

The iconography of the archangel Michael on Byzantine icons /

Peers, Glenn Alan. January 1986 (has links)
No description available.
5

Image and liturgy the history and meaning of the Epitaphion /

Penkrat, Tatiana. January 2008 (has links)
Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2008. / Abstract. Description based on microfiche version record. Includes bibliographical references.
6

The influence of the icon in contemporary Egyptian art /

Joumaa, Jamal. January 2002 (has links)
Thesis (M.A. (Hons.)) -- University of Western Sydney, 2002. / "A thesis submitted for the fulfillment of a Master's Degree in Contemporary Arts" Includes bibliographical references (leaves 74-75).
7

Image and liturgy the history and meaning of the Epitaphion /

Penkrat, Tatiana. January 2008 (has links)
Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2008. / Abstract. Includes bibliographical references.
8

Image and liturgy the history and meaning of the Epitaphion /

Penkrat, Tatiana. January 2008 (has links)
Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2008. / Abstract. Includes bibliographical references.
9

Archangel Michael as "icon" in the Byzantine and Post-Byzantine periods

Steyn, Raita 31 March 2010 (has links)
M.A.
10

Christian divine, holy and saintly protection of African rulers in the Byzantine ‘Coptic’ iconographic tradition

Steyn, Raita 22 October 2014 (has links)
D.Litt. et Phil. (Greek) / This thesis deals with the Christian divine, holy and saintly protection of African rulers in the Afro-Byzantine ‘Coptic’ (mainly Nubian and Ethiopian) iconographic tradition. The term ‘icon’ is used in its Byzantine Orthodox meaning as “a theological art picture; a religious, sacred image”, according to the theological and artistic Byzantine prescriptions.1 The term is also applied to frescos, murals, mosaics, larger wooden panels, illustrations in manuscripts and scrolls and smaller items such as protective amulets and charms, depicting a Christian holy representation. The iconographic themes, representing authority and its preservation and protection will be discussed, analysed and examined, the two coefficients being authority and protection of royals and their deputies and officials (i.e. the ‘protected’) on the one hand, and on the other hand Christ, the Holy Virgin, angels, military and non-military saints, supernatural and holy beings (i.e. the ‘protectors’). Firstly, a historical overview of the Byzantine and Afro-Byzantine Orthodox society in terms of religious, social, cultural and political influences is presented and the importance of Orthodox iconography and hagiography and the transformation of local Afro-Byzantine themes are analysed. As such, once the conversion from paganism to Christianity took place in Africa, influences of the Byzantine iconography and hagiography were transformed and integrated with local African Orthodox themes. Byzantine ideology and political theory as well as their relevance for the Coptic-Egyptian, Nubian and Ethiopian context have been discussed, while the artistic and symbolic iconographic representations of the Byzantine (and Medieval Afro-Byzantine) periods...

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