This thesis explores the concept of public art within a Swedish state agency called Public Art Agency Sweden through ethnography conducted at their virtual meetings from the fall of 2020 to the beginning of 2021. With the analytical tool of assemblages, the concept of public art is explored in terms of becoming and contestation through looking at policies within the agencies in relation to employee’s everyday endeavours. I suggest that this gives an insight into the intersection between ideas and practices within a state agency that strives to make public art a meaningful contribution and integral part of Swedish society under the premisses of the Swedish national cultural political goal. As such the contribution of this thesis is analytical attention to public art in broader governance discourses within an area of the state and culture.