Thesis (MA--Art and Design)--AUT University, 2009. / Includes bibliographical references. Also held in print (83 leaves : ill. ; 29 cm.) in the Archive at the City Campus (T 704.949126 LAW)

Thesis (doctoral)--Universität, Essen, 1999. / Includes bibliographical references (p. 249-265).

Univ., Diss--Essen, 1999.

Submitted in partial fulfillment in compliance with the requirements for the Masters Degree in Technology: Fine Art, Department of Fine Art and Jewelery Design, Durban University of Technology. Durban. South Africa, 2014. / This dissertation introduces and explores the link between the phenomenon of the celebrity artist and autobiographical narratives. It investigates the possibility that artists plan, strategize and embellish or create stories that could gain enough attention from the general public to achieve celebrity status. This enquiry will establish various contexts, that of different artists, the audience, the celebrity artist and my own, locating the research and findings within a historical and contemporary discourse. The research presents several concepts and factors that will contribute to the understanding and contextualization of the hypothesis, as well as possibly substantiate it. Concepts such as celebrity, fame, narcissism, the ego and exhibitionism form the basis of the enquiry while theories based on narrative, autobiography and memory rehearsal provide credible support and background. The nature of this dissertation requires a broad investigation including contemporary social sciences, philosophy and psychology, media studies and history of art. In order to determine whether the aforementioned concepts and theories are employed by certain individuals to gain celebrity status, three celebrity artists are introduced through their biographies, rises to fame and their popularity and relationships with the general public. The artists, Andy Warhol, Jean-Michel Basquiat and Tracey Emin are introduced chronologically. All three artists have established public identities and in the attempt to substantiate whether these identities are constructed and pre-mediated the final analysis (in form of a causal analysis) presents fluctuating results with several possible causes. As part of this enquiry I introduce my creative output through discussing my autobiography, themes (of my work), mediums (I choose to use), exhibition and the resonance found with the selected artists. In light of the discussions based on the backgrounds, public identities and resonance I have found with each artist I determine whether I embellish my stories to gain fame. The research is conducted through qualitative research methodologies and presented in a consequential order. The methodological approach and process is best described through the term Bricolage, which refers to the use of multiple methodologies in its approach to research, in other words, a hybrid of praxis (Barrett & Bolt ed., 2010). The process of this enquiry includes theoretical research, historical research; studio based and –led research, as well as a causal analysis. As part of the research, many factors have been considered and discussed, as an investigation into autobiography; the research will aid me in progressing as an artist as well as contribute to the greater knowledge of the autobiographical field. Furthermore, introducing and exploring the link between autobiographical narratives and the artist, as celebrity is a discourse that can be developed and further expanded on. Through this research I have attempted to establish a link between high art and popular culture, and the artist and the audience. The findings represent a process of attempting to understand a complex set of possible causes with one ultimate effect and the influence it has on an individual and the general population. Many artists want to be famous and would go through the motions to become a celebrity. It does, however, fully depend on the individual and no ultimate formula can be presented. / M

Thesis (PhD)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: The archive as mnemonic device and taxonomic structure plays a significant role in the visualisation of identity. This thesis draws on the example of the personal photographic archives of three trans men to suggest ways of understanding archives as discursive and visual practices through which fluctuating narratives of self can be uncovered, traced, erased, renegotiated and fictionalised. This thesis considers how these participants negotiate the roles of author, archivist and photographer in the creation of their personal photographic archives, and how such archives intersect with discourses on the social, somatic and political. / AFRIKAANSE OPSOMMING: Die argief speel as beide ‘n mnemoniese apparaat en ‘n taksonomiese struktuur ‘n beduidende rol in die voorstelling van identiteit. In hierdie tesis word die fotografiese argiewe van drie trans mans bespreek om maniere voor te stel waarop argiewe as diskursiewe en visuele praktyke funksioneer waardeur veranderlike narratiewe van self ontbloot, nagespoor, uitgewis, heroorweeg en verbeel kan word. Hierdie studie oorweeg die manier waarop hierdie deelnemers die rolle van outeur, argivaris en fotograaf onderhandel tydens die skep van hul persoonlike fotografiese argiewe, sowel as die wyse waarop hierdie argiewe as kruispunte dien waar diskoerse rondom die sosiale, liggaamlike en politiese bymekaarkom.

Thesis (M.V.A.)--University of Sydney, 2008. / "Printmedia"--T.p. Submitted in fulfilment of the requirements for the degree of Master of Visual Arts to the Sydney College of the Arts. Degree awarded 2008; thesis submitted 2007. Includes bibliographical references. Also available in print form.

Thesis (Ph. D.)--Dept. of Art and Art History and Dept. of Sociology. University of Missouri--Kansas City, 2008. / "A dissertation in art history and sociology." Advisor: Maude Southwell Wahlman. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 6, 2009. Includes bibliographical references (leaves 202-247). Online version of the print edition.

Thesis (Ph. D.)--Georgia State University, 2006. / Title from title screen. Deron Robert Boyles,committee chair; Jennifer Esposito, Heather Olson, Susan Talburt, committee members. Electronic text (194 p.) : digital, PDF file. Description based on contents viewed May 23, 2007. Includes bibliographical references (p. 182-189).

Dissertation submitted in partial fulfilment in compliance with the requirements for the Masters Degree in Technology: Fine Art, Durban Institute of Technology, 2012. / I believe that the election in 1994 of the first democratic government in South Africa has presented a challenge to all South Africans in different ways. I believe that one of the principal challenges that the 1994 elections presented to my conservative Calvinistic Afrikaner community was to address its personal, family, community, national and international identity/ies. Arising out of this perspective and perception, I have explored my and my family memory/ies to answer questions about my identity. My study is a journey of awareness: a self-study exploring my identity through critical self-reflection and the development of my art practice. My self-study is multi- disciplinary: it employs interchangeable methodologies allowing for various forms of knowledge generation. My journey of awareness is a “living theory” in which I have developed my “living standards of judgement” and addressed my “living contradictions” (Whitehead 1985; 1989; 2008a; b; c; d). My study illustrates the symbiotic research and creative process of developing an understanding of my identity as a white Afrikaans woman through practicing my art. My art practice assisted in the action/reflection process as well acting as a tool for social action and transformation. / M

Thesis (Ph. D.)--University of California, San Diego, 2008. / Title from first page of PDF file (viewed July 23, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 214-232).