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A visual interpretation of Chinese immigrants' identity dilemma in New Zealand a thesis submitted to Auckland University of Technology in partial fulfillment of the requirements for the degree of Master of Art and Design (MA&D), 2007.Zhang, Nuo. January 2007 (has links)
Thesis (MA--Art and Design) -- AUT University, 2007. / Includes bibliographical references. Also held in print (58 leaves : col. ill. ; 30 cm.) in the Archive at the City Campus (T 704.03951093 ZHA)
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Raza, clase, etnia y género en la presenatción de la mujer inmigrante y extranjera en Argentina (1880- 1930)Carballo, Alejandra Karina. Graham-Jones, Jean, Cappucio, Brenda L. January 1900 (has links)
Thesis (Ph. D.)--Florida State University, 2006. / Advisors: Jean Graham-Jones, Brenda Cappuccio, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Title and description from dissertation home page (viewed Sept. 18, 2006). Document formatted into pages; contains viii, 231pages. Includes bibliographical references.
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Raza, clase, etnia y género en la presenatción de la mujer inmigrante y extranjera en Argentina (1880- 1930) /Carballo, Alejandra Karina. Graham-Jones, Jean, Cappucio, Brenda L. January 1900 (has links)
Thesis (Ph. D.)--Florida State University, 2006. / Advisors: Jean Graham-Jones, Brenda Cappuccio, Florida State University, College of Arts and Sciences, Dept. of Modern Languages and Linguistics. Includes bibliographical references. Also available online.
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Imagine/nation : mediating 'xenophobia' through visual and performance art / Vabvakure, people from far awayMachona, Gerald Ralph Tawanda January 2014 (has links)
This half-thesis has developed as a supporting document to an exhibition titled Vabvakure, people from far away, which responds to the growing trends of violence perpetrated against African foreign nationals living in South Africa. This violence which has generally been termed as 'xenophobia' has been framed within this discourse as 'afrophobia', as it is fraught with complexities of race, ethnicity and class. Evidently, not all foreign nationals are at risk but selective targeting of working class black African foreign nationals seems to be the modus operandi. Fanning these flames of prejudice are stereotypes and negative perceptions of Africa and African immigrants that have permeated into the national consciousness of South Africa, which the mainstream media has been complicit in cultivating. My practice is concerned with challenging this politic of representation in relation to the image of the African foreign national within South African society, who have been presented negatively and labelled as the 'Makwerekwere', the 'bogeymen' that have been blamed for the country’s current woes. In response to this, my research adopts the premise that forms of cultural mediation such as visual and performance art can offer further insights and possibly yield solutions that can be used to address these sentiments. As globalisation and neoliberal ideologies reshape the world, there is a growing need in the post-colonial state to revisit and re-construct notions of individual and collective identity, especially that of the nation. Nations, nationalisms and citizenry can no longer be defined solely through indigeneity, for as a result of radical shifts in the flow of migration and immigration policies that allow for naturalisation of aliens and foreign nationals, we are now faced with burgeoning levels of social diversity to the extent that constructions of nationhood that are based on the concept of autochthony have resulted in the persecution of the ‘other’.
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