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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 7 of 7 (0.13 seconds)Spelling suggestions: "subject:"imperialism inn motion pictures."" "subject:"imperialism iin motion pictures.""
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Madame butterfly and orientalismLi, Chun-hoi, Benjamin., 李俊海. January 2000 (has links)
published_or_final_version / Literary and Cultural Studies / Master / Master of Arts
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| 2 |
Madame butterfly and orientalism /Li, Chun-hoi, Benjamin. January 2000 (has links)
Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 40-48).
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| 3 |
Madame butterfly and orientalismLi, Chun-hoi, Benjamin. January 2000 (has links)
Thesis (M.A.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 40-48). Also available in print.
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| 4 |
The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?Lam, Sui-kwong, Sunny., 林萃光. January 1996 (has links)
published_or_final_version / abstract / toc / Comparative Literature / Master / Master of Philosophy
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The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment? /Lam, Sui-kwong, Sunny. January 1996 (has links)
Thesis (M. Phil.)--University of Hong Kong, 1997. / Includes bibliographical references (leaf 240-250).
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The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /Emerson, John, January 2002 (has links) (PDF)
Thesis (Ph.D.)--University of Adelaide, Centre for European Studies and General Linguistics, 2003. / Includes filmography: leaves 252-256. Bibliography: leaves 241-251.
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The representation of the colonial past in French and Australian cinema, from 1970 to 2000 / by John James EmersonEmerson, John James. January 2002 (has links) (PDF)
Includes filmography: leaves 252-256. Bibliography: leaves 241-251. This thesis compares the representation of colonial history in the cinema of France and Australia since 1970. Films examined all had historical colonial settings, a narrative focus principally on aspects of the colonisation process and a director who was descended from former colonisers. It concludes that there are few sustained attempts to confront and resolve the problematic aspects of colonialism's legacy. The tendency to contain the representation of the colonial past within a fictional framework has the inevitable consequence of masking history and avoiding the necessity for dealing with it.
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