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"A terrible honesty" : the development of a personal voice in musical improvisation /McMillan, Rosalind. January 1996 (has links)
Thesis (Ph. D.)--University of Melbourne, 1996. / Typescript (photocopy). Includes bibliographical references (leaves 256-264).
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A framework for the analysis of performer interactions in western improvised contemporary art music /Pelz-Sherman, Michael. January 1900 (has links)
Thesis (Ph. D.--Music)--University of California, San Diego, 1998. / Vita. Discography: leaves 192-194. Includes bibliographical references (leaves 195-201).
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Teaching improvisation to piano students of elementary to intermediate levelsChyu, Ya-Wen Eunice. January 2004 (has links)
Thesis (D.M.A.)--Ohio State University, 2004. / Title from first page of PDF file. Document formatted into pages; contains xviii, 187 p.; also includes graphics Includes bibliographical references (p. 183-187).
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Improvisation of keyboard preludes in the style of J.S. Bach a practical method comprising techniques derived from selected keyboard works /Pinkevicius, Vidas. Faulkner, Quentin. January 1900 (has links)
Thesis (Ph.D.)--University of Nebraska-Lincoln, 2006. / Title from title screen (site viewed on September 12, 2006). PDF text of dissertation: xiii, 82 p. : music ; 0.81Mb. UMI publication number: AAT 3208111. Includes bibliographical references. Also available in microfilm, microfiche and paper format.
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The role of self-efficacy and modeling in improvisation the effects of aural and aural/notated modeling conditions on intermediate instrumental music students' improvisation achievement /Davison, Patrick Dru. January 2006 (has links)
Thesis (Ph. D.)--University of North Texas, 2006. / System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 101-108).
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European Echoes: Jazz Experimentalism in Germany, 1950-1975Kisiedu, Harald January 2014 (has links)
"European Echoes: Jazz Experimentalism in Germany, 1950-1975" is a historical and interpretive study of jazz and improvised music in West and East Germany. "European Echoes" illuminates an important period in German jazz whose beginnings are commonly associated with the notion of Die Emanzipation ("The Emancipation"). Standard narratives of this period have portrayed Die Emanzipation as a process in which mid-1960s European jazz musicians came into their own by severing ties of influence to their African American musical forebears. I complicate this framing by arguing that engagement with black musical methods, concepts, and practices remained significant to the early years of German jazz experimentalism. Through a combination of oral histories, press reception, sound recordings, and archival research, I elucidate how local transpositions and adaptations of black musical methods, concepts, and practices in post-war Germany helped to create a prime site for contesting definitions of cultural, national, and ethnic identities across Europe. Using a case study approach, I focus on the lives and works of five of the foremost German jazz experimentalists: multi-reedist Peter Brötzmann, trumpeter and composer Manfred Schoof, pianist and composer Alexander von Schlippenbach, multi-reedist Ernst-Ludwig Petrowsky, and pianist Ulrich Gumpert. Furthermore, I discuss new music composer Bernd Alois Zimmermann's sustained engagement with African American musical forms in addition to the significance of both Schoof's and Schlippenbach's studies and various collaborations with him. The elucidation of the German jazz experimentalism movement is situated within the larger context of ther Cold War's competing West German capitalist and East German state socialist political systems and shows how music became a form of international politics and cultural diplomacy.
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The cognition of musical improvisation : the value and experimental implementation of a new scientific approachGoldman, Andrew Jacob January 2015 (has links)
No description available.
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Interaction and improvisation : group interplay in jazz performance /Hodson, Robert Dean. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 2000. / Includes bibliographical references (leaves 275-277). Also available on the Internet.
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The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improvisersLaughlin, James Edwin. January 2001 (has links)
Thesis (Ph. D.)--University of North Texas, 2001. / Includes bibliographical references (p. 105-107).
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Automatic improvisation a study in human/machine collaboration /Wilson, Adam James. January 2009 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2009. / Title from 1st page of PDF file (viewed Feb. 9, 2010). Available via ProQuest Digital Dissertations. Vita. Includes sound files of examples in 44K stereo. and 96K formats. Includes bibliographical references: P. 143.
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