Thesis (M.A.)--Georgia State University, 2008. / Title from file title page. Elizabeth Sheff, committee chair; Dawn Baunach, Denise Donnelly, committee members. Electronic text (97 p.) : digital, PDF file. Description based on contents viewed June 24, 2008. Includes bibliographical references (p. 80-85).

Dissertation (Ph.D.)--Auburn University, 2006. / Abstract. Vita. Includes bibliographic references (p.157-171).

Thesis (MS)--Montana State University--Bozeman, 2008. / Typescript. Chairperson, Graduate Committee: Wesley C. Lynch. Includes bibliographical references (leaves 41-46).

Thesis (Ph. D.) in Psychology--University of Maine, 2002. / Includes vita. Includes bibliographical references (leaves 118-137).

Thesis (M.S.)--Kutztown University of Pennsylvania, 1996. / Source: Masters Abstracts International, Volume: 45-06, page: 2891. Typescript. Abstract precedes second title page as preliminary pages 2-3. Includes bibliographical references (leaves 28-31).

published_or_final_version / Anatomy / Master / Master of Science

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In this study I explore narrative resistance in three Canadian novels: Margaret Atwood's The Edible Woman , Adele Wiseman's Crackpot and La Rivière sans repos by Gabrielle Roy. I argue that the first two novels counter the dominant constructions of the virgin as the thin, acquiescing body and the whore as the out of bounds, devouring body respectively. I also reflect on whether these texts recognize the importance of a common narrative that speaks to the specificities of female experience, helping us move beyond the dominant constructions that continue to frame our day-to-day lives. La Rivière sans repos is a postcolonial narrative, but it is also a text about mothers. It exposes the containment Western consumerism has placed on the role of mother, the subsequent devaluing of that role and consequently a devaluing of the women who fill that role. Throughout this study I draw from recent theorists who combine feminist perspectives with theories on the body including Susan Bordo and Elizabeth Grosz along with feminist literary critics such as Linda Hutcheon and Patricia Smart. By incorporating feminist theory and theory on the body along with literary criticism I approach the texts with an interdisciplinary analysis that offers a new reading of these narratives. Feminist thought was only just emerging into our cultural consciousness, and theory on the body was little known when Wiseman, Atwood and Roy were writing these novels in the late 1960's and early 1970's. Classical texts reflect and create the construction of women as objects of beauty, who are selfless, inherently weak and needy or they condemn us as "bitchie", manipulative and threatening if expressive of our desires. I seek alternatives to such cultural constructions by exploring how the three novels present and represent the body in relation to female subjectivity and agency by writing against classical representations. In my reading of The Edible Woman I suggest that Atwood's protagonist deviates from the virgin stereotype by following the knowledge of her body rather than that of her intellect. In Crackpot I argue that the fat, sexual body of Wiseman's Hoda asks the reader to question assumptions about normative beauty, female sexuality and marginalization. In La Rivière sans repos I explore how Roy places mother at the centre of the text, which allows for an exploration of the contrast between mothering as experience and motherhood as institution. Each novel proposes a complexity to our experience that has generally been limited to virgin, whore and mother and, consequently, I argue that each offers a discourse of resistance and the possibility of social, cultural and political change.

Traditionally, body image research has focused on young women. However, there are indications of cultural shifts which extend physical appearance pressures to both men and women, as well as to middle-aged and older adults. Two hundred and ten subjects were administered objective body image measures including the Figure Rating Scale, the Body Shape Questionnaire, and the Multidimensional Body-Self Relations Questionnaire, as well as projective measures including the Holtzman Inkblot Technique and the Draw-A-Person. The NEO-Five Factor Inventory and the Social Anxiety Subscale were also used to explore variables which might covary with body image. A 3 X 2 X 2 Multivariate Analysis of Covariance (MANCOVA) was utilized with social desirability as the covariate.