This study of early years services in India explores the take-up of the government ICDS (Integrated Child Development Services Scheme) and RGNCS (Rajiv Gandhi National Crèche Scheme), and the factors affecting their uptake by working mothers in a Delhi slum. Policy cannot assess programme outcomes effectively without understanding how services are implemented. Existing literature indicates that programme impact is related to programme take-up, with non-take-up being a complex phenomenon affected by factors operating at multiple levels of the policy process. The study makes original contributions by examining user perspectives on early childhood education and care (ECEC) in the Indian context; in being the first to research any aspect of the RGNCS; and in utilizing Critical Realism as the underlying philosophical, theoretical and methodological paradigm for studying programme uptake. It poses five research questions that examine mothers' childcare arrangements and needs/expectations from services, their take-up of government programmes and component services, and the combination of factors affecting uptake. Study findings are based on surveys with 200 working mothers and 37 children's centre workers, and interviews with 15 policy experts. Findings reveal childcare arrangements and needs/expectations to vary by family structure, child's age, and mother's age and employment. ICDS uptake is found to be higher (54.3% of all mothers), than RGNCS (18.6%). An explanatory framework for analysing take-up reveals that low take-up results from a combination of multiple factors, most significantly programme characteristics for the ICDS, and participant characteristics for the RGNCS. Two theoretical frameworks frame this analysis - Wolman's (1981) determinants of programme success and failure, and the 'barriers and bridges' to programme uptake. Critical policy analysis further identifies the effects of the policy meaning-making processes, and the role of local 'street-level bureaucrats' in take-up. Both programmes display 'conflicted policy success' vis-à-vis take-up when categorised using McConnell's (2010) criteria for programme 'success' and 'failure'. Policy implications include strategies for increasing programme uptake, and a policy focus upon service users and women in the informal economy, recognition of the dual role of ECEC, and the importance of evidence-creation for interactive governance.

This thesis elucidates processes of identity construction that have taken place amongst Bhil Christians in Udaipur district, Rajasthan, in the context of the endemic anti- Christian violence that has been carried out by Hindu nationalist organisations and adherents in this area since the late 1990s. My work explores how Bhil Christians engage with this, and seeks to make both an empirical and analytical contribution to existing analyses of anti-Christian violence by shifting the focus away from the construction of majoritarian Hindu identities in India's tribal belt, and placing it instead on the minority Christian community. Utilising a tripartite typology of violence (direct, structural and cultural) as its starting point, this thesis addresses questions of how Bhil Christians construct and perform their identity in this context, and how they understand and negotiate their relationships with both non-Christian communities and the state in their localities. This aims to situate Christians as agents in the construction of their own identities, rather than simply having 'otherness' imposed on them as a result of Hindu nationalist mobilization and rhetoric. This study shows that Bhil Christians are involved in a dualistic process of strategically emphasizing both difference and similarity between Christians and Hindus, while making recourse to an overarching adivasi identity that, in various ways, serves to challenge and often undermine the damaging constructions of Christianity that are propagated by the Sangh Parivar. At the same time, they foreground a Christian identity that is decisively shaped by notions of agency, moral uplift, and assertion; these are ideas that are informed by longer histories of adivasi self- and community making, but have acquired important new meaning and relevance in the context of anti-Christian violence.

Stereotype threat is a psychosocial dilemma experienced by members of a negatively stereotyped group in situations where they fear they may confirm the stereotype. This study examined the phenomenon in India, thereby extending previous research to another culture. In addition, with participation by students preparing to be professionals, the results are applicable to organizational settings. Ninety graduate students from a professional training institute viewed common Indian advertisements under three conditions: gender stereotypic (women depicted as homemakers), counter stereotypic (women represented as professionally employed individuals) and neutral (no reference to any gender identity). It was hypothesized that females in the stereotypic condition would be susceptible to stereotype threat effect and thus opt for problem solver over leadership role on a subsequent task, while females in the counter stereotypic condition were expected to choose leadership roles. ANOVA was employed to test for differences across the three conditions. The study also hypothesized mediation of the stereotype threat performance deficits by self-efficacy, evaluation apprehension, anxiety, role conflict, stereotype activation, father's and mother's education levels. Hierarchical multiple regression procedures as recommended by Baron and Kenny (1986) were conducted for mediational analysis. Data analysis provided partial support for the two hypotheses. In support of the stereotype threat theory, condition emerged as a significant variable influencing selection of role choice. In line with previous research, no evidence for mediation by any of the variables studied as potential mediators was found. However role conflict and evaluation apprehension may have functioned as suppressor variables that enhanced the variance in the condition-role choice relationship. The results of the study and their implications, in context of the Indian scenario, are discussed. Certain limitations are identified and suggestions made for future research.

This thesis examines the role of globalization, an open economy and diasporic experiences on the 1990s popular Indian culture, focusing on discourses of gender, national identity and family. Recent Indian beauty queens and international beauty contests are discussed in the context of gendered nationhood in 1990s India. Several popular films of the 1990s are discussed as narratives expressing longing for an extended family and a homogeneous national identity under the leadership of a traditional father figure. In contrast, independent films interrogate the primacy of ethnic and national identity and raise interesting questions about exilic experience. All of these forms of national and popular culture reflect the conflicting and ever-changing anxieties surrounding national identity and the role of women in India.

No description available.

This thesis uses a mixed methods approach to investigate the different levels of Hindu-Muslim violence in Gujarat (western India) in 2002 when at least a thousand Muslims were killed. An original dataset of killings is compiled to analyse macrospatial variation in the violence across towns and rural areas of Gujarat. Data collected from 21 months of ethnographic fieldwork in Ahmedabad city is used to investigate microspatial variation across three neighbourhoods with varying levels of violence.Macrospatial analysis discusses the link between political authority and its capacity to instigate ethnic violence as a response to electoral calculations and identifies the mechanisms by which violence against Muslims was orchestrated by the Hindu nationalist Bharatiya Janata Party (BJP). Ethnographic findings demonstrate the importance of ecological strategies adopted by attackers and targets during the course of attack and urge a re-examination of the intuitive association of spatial proximity with greater interethnic contact. Findings also reveal methods of enforcement used by legitimate and illegitimate institutions of a peaceful slum neighbourhood in resolving commitment problems of cooperation. Finally, the thesis examines the aftermath of the violence, more specifically a political phenomenon of Muslims of Gujarat supporting the BJP nine years after the brutal violence.Methodologically, the main contribution of this thesis is in bridging the quantitative and ethnographic traditions in the sociology of ethnic violence to make possible the linking, and disentangling, of macrolevel risk factors associated with violence from microlevel factors. Findings of the thesis hopefully provide a better understanding of ethnic violence in multi-ethnic democracies and a roadmap of policy-making for India as it continues to struggle with ethnic strife.

Cette thèse est composée de deux partie. La partie 1 (chapitre 1, 2 et 3) s’intéresse à la dimension spatiale du phénomène microfinancier. Le chapitre 1 revient sur l’histoire récente du système bancaire indien et plus particulièrement sur sa capacité en termes d’inclusion financière dont nous analysons la distribution spatiale. Dans le chapitre 2, après avoir dressé une histoire du champ microfinancier indien, nous procédons à une analyse de la distribution et de l’évolution de la méthodologie microfinancière dominante en Inde, à savoir, les Self-Help Group. Le chapitre 3 présente une analyse spatiale de l’offre de service d’une institution de microfinance particulière. A cette fin, nous utilisons une base de données unique permettant de suivre l’évolution spatiale d’une institution particulière depuis le début de ses activités. <p>La partie 2 (chapitre 4 et 5) s’intéresse aux limites du financement du secteur agricole par la microfinance et aux aspects politiques de cette dernière. Le chapitre 4 procède à une analyse des déterminants du financement agricole en Inde. En revenant sur la crise microfinancière 2006 en Andhra Pradesh, le chapitre 5 complète nos analyses économétriques par une analyse des acteurs, de leurs motivations et de leurs contraintes afin de mettre à jour la dimension politique de la construction microfinancière.<p>La conclusion explicite la notion de construction donnée en intitulé. L’élaboration des services microfinanciers, leurs diffusions sur le territoire indien ainsi que leurs utilisations, détournements et réappropriations produisent la construction spatiale de la microfinance. <p> / Doctorat en Sciences économiques et de gestion / info:eu-repo/semantics/nonPublished

Bollywood cinema continues to evolve. As a result, it has become a transnational/cultural role player for Indian audiences worldwide. There has always been a strong link between Bollywood cinema and Indian society. Over the years, it has contributed to the dialogue on women’s roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood filmmakers are now catering to the demands of the Indian diaspora and therefore, a more global market. The impact of transnationalism on the representation of women in many Bollywood films has further added to the creation of open spaces for the Bollywood heroine. In this regard, the films of auteur director Karan Johar are valuable because they provide audiences with material that suggests re-thinking patriarchal structures in a transnational world. This study will examine the representation of women in three selected films of Johar within the framework of feminist theory (Indian context). The impact that transnationalism has had on the Indian diaspora and the manner in which this translates into the narratives and representations of female characters in Bollywood films will be discussed. / Afrikaans & Theory of Literature / D. Litt. et Phil. (Theory of Literature)

Bollywood cinema continues to evolve. As a result, it has become a transnational/cultural role player for Indian audiences worldwide. There has always been a strong link between Bollywood cinema and Indian society. Over the years, it has contributed to the dialogue on women’s roles and position in Indian society. In the past, Bollywood filmmakers were faithful to representations of women who were bound by patriarchal structures in the sense that they were expected to be loyal to ancient Indian traditions and belief-systems. Based on the increase in Indian migration, contemporary Bollywood filmmakers are now catering to the demands of the Indian diaspora and therefore, a more global market. The impact of transnationalism on the representation of women in many Bollywood films has further added to the creation of open spaces for the Bollywood heroine. In this regard, the films of auteur director Karan Johar are valuable because they provide audiences with material that suggests re-thinking patriarchal structures in a transnational world. This study will examine the representation of women in three selected films of Johar within the framework of feminist theory (Indian context). The impact that transnationalism has had on the Indian diaspora and the manner in which this translates into the narratives and representations of female characters in Bollywood films will be discussed. / Afrikaans and Theory of Literature / D. Litt. et Phil. (Theory of Literature)