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Scholarship on Strabo’s Geography has long noticed that the procedure adopted by the author in his account of India is inconsistent with the method he follows elsewhere (Puskás 1993). On the one hand, it has been argued that, while describing the subcontinent, the author quotes so extensively from his sources that he allows practically no space for his own reasoning. Such a writing strategy is unlike the practice he normally adopts (Dueck 2000:180-6). On the other hand, after stressing that the geographical writing may only draw on reliable sources and that the reports on India are unreliable (Geography, 2.1.9 C 70), Strabo writes his own account on the subcontinent by drawing on authors he deemed untrustworthy (Geography, 15.1.1-73 C 685-720). This procedure clearly shifts from the method he follows across his work. However, very few studies have been dedicated exclusively to the matter and this thesis proposes to fill the lacuna. In fact, within Strabonian studies, one trend has tended to analyse individual regions described in Geography (Andreotti 1999), while another has examined themes permeating the book (Clarke 2001 and Engels 1998). The description of India has been widely used to reconstruct relevant aspects of ancient history (Karttunen 1997 and Parker 2008). However, little attention has been paid to the author’s conception of India, which will be the main focus of this thesis. By analysing what Strabo selected from his sources and by considering a network of concepts pervading his work, we will see that apparent inconsistencies serve a number of purposes. In Chapter 1, it will be argued that the inclusion or omission of a given detail related to India was relevant for the political agenda underlying the text. In view of the literature produced at the time and the data made available today by the archaeological research on Indo-Roman trade, Strabo’s account shares the ideology underlying the Res Gestae Divi Augusti. Yet, at times, his text lies between a panegyric and a satire of the Roman Empire. Chapter 2 will show that the author creates an image of India that served to support the aforementioned political agenda. By portraying native kings in association with luxury and corruption, the text refers to traditional Greek conception of the East and this has a bearing on the depiction of the Roman Empire. In Chapter 3, we will see that Strabo’s description addresses ethical questions that were left unsolved by Greek philosophical schools at the time, namely, education for women and the relationship between the philosophical way of life and political compromise. Within this setting of philosophical reflection, the text provides a sound set of moral illustrations, exempla, complete with brief autobiographical remarks.

Keywords Mircea Eliade, the influence of India, Romanian literature Abstract The thesis deals with the influence of indian culture and philosophy on the Romanian writer, religionist and philosopher Mircea Eliade. He studied in Calcutta and after his return from India he graduated his doctoral studies of philosophy with thesis called Yoga. This master thesis is defining Indian aspects in Eliade's books. The first part of the thesis focuses on details from Mircea Eliade's life, his relationship to India and on Indian philosophy which is reflected in his writing. That includes the cyclic concept of time which doesn't explain death as the end of life. We talk about reincarnation. The quality of the next life is conditioned by the deeds of the previous life. Eliade is supporting yoga as a way how to separate the spirit from the material world and from the body. The second part of this thesis has an aim to describe some of the Eliade's books which are influenced by India, and to analyze those Indian aspects (The Secret of Dr. Honigberger, Isabel şi apele diavolului and 50 de conferinže radiofonice (1932 - 1938)).

This thesis is a study of representations of disability in a selection of Anglophone Indian literature written between 1981 and 2006. In this thesis, I argue that, in fiction by Salman Rushdie, Rohinton Mistry, Indra Sinha, and Firdaus Kanga, disability often takes on positive symbolic value as it represents the potential for the postcolonial polis to survive and thrive, but that the ultimate death or medical normalisation of disabled characters in many of these narratives is tied to a loss of political optimism. While these texts in many instances disturb norms surrounding able-bodiedness and disability, they often ultimately narrate a pessimistic conformity to scripts of normalization, and in so doing, map the unjust triumph of a prescriptive national or international politics onto a prescriptive politics of the body. As disability is eliminated, so is the potential for resistance to latent colonial or hegemonic forms. On the other hand, those fictions that narrate a sustainable disabled presence suggest the potential for the community or nation to emerge from oppressive social structures unscathed. I focus on applying literary disability scholarship to Indian novels which demand scrutiny through a disability studies lens, given their dependence upon the disabled body as a metaphoric object and the continuities in their disability representation and the representation of history. While the focus of my work is upon the nuances of disability representation as it is used to parallel the rise (and sometimes fall) of political optimism in these examples of Anglophone Indian literature, I also read toward an understanding of how the postcolonial perspective of these fictions may inflect and complicate disability representations, and investigate Western notions of normalcy as they are represented as intruding upon this literature and as disciplining the body in these texts. This disciplining is further explored through an ancillary reading of how medical apparatus and infrastructure, such as hospitals, ambulances, and especially doctors, are represented in this group of novels, as it is often in conjunction with the medical establishment that disabled characters are subjected to (neo) colonial violence. In the first chapter, which takes the form of a critical introduction, I discuss the terms of my argument within the development of disability studies, and position myself within the debates and concerns of literary disability studies in particular. I consider the antecedents and development of what is now called the cultural model of disability, and discuss how literary disability scholarship, which began its development with a focus on Western texts and contexts, has begun to extend its range of inquiry to become global in scope. I consider examples of the interplay of contemporary Indian history with biopolitical ideals and the paradigm of normalcy as it has been articulated by Lennard Davis and his intellectual predecessors including Canguillheim and Foucault. In the second chapter, which is entitled "The Medical and the Monstrous: Disability in Salman Rushdie's Midnight's Children, Shame, and The Moor's Last Sigh," I consider how the disabled body is created as an object of competition in an ideological agon between a violent, globalized modernity and a sometimes-idealized fictive past. While Rushdie often represents the disabled body in a very simplified and rather bigoted register, he also to some extent engages with the more complex potentialities of disability to represent the failure of the state. The normalizing perpetration of a Westernized medical apparatus against disabled people becomes the proof and of political disintegration and the dissolution of hope for the emergent nation, whether in Rushdie's fictional version of India or Pakistan. In the third chapter, "Disability and the Realization of Metaphor in Rohinton Mistry's Such a Long Journey and A Fine Balance," I consider Rohinton Mistry's disability representations in relation to his engagement with the tradition of European realism. While Mistry attempts to re-locate the normal type articulated by the European novel, and subverts the conventions of European fiction even as he employs them, he still depends upon a largely uncontested tradition of disability representation. While he re-locates the norm in many demographic respects, he does not fully manage to rescue disability from an ancillary and symbolic role in the fiction. Mistry uses disabled characters symbolically to imagine political upheaval from a disadvantaged and sometimes from a subaltern position, creating in disabled characters their symbolic correlates. In my fourth chapter, "Collective Disability and the Dis-located Norm in Indra Sinha's Animal's People," I consider the ways in which this novel effaces paradigms of normalcy by imagining an environment in which disability is the unifying commonality of community life. While Mistry and Rushdie ultimately write disability as narrative anomaly in the ways described by Mitchell and Snyder, Sinha inverts the paradigm of the anomalous body in his fictional representation of the Bhopal disaster. The failure of the Indian state to protect its citizenry results in collective disability identification, while those able-bodied individuals who might be treated as normal in another fiction become suspicious outsiders. In my fifth chapter, "Unaccommodating Fictions: Disability, Authorship, and the Politics of Failure in Firdaus Kanga's Trying to Grow," I consider the ways in which gay, disabled, Parsi writer Firdaus Kanga represents failure and dependency as character weakness. Kanga validates neoliberal competition by re-imagining the potential for economic and social attainment as properties of mind at the exclusion of the body, and, in so doing, inaugurates an adaption of paradigms of normalcy. Kanga's imaginary valorises the economically competitive individual, but simply removes the constraint of bodily normalcy from this ideal marketable man. For Kanga, economic freedom from parental, societal, or governmental intervention is edifying, as masculinity is achieved through uninhibited competition. In my conclusion, "Good Doctors and Bad Doctors in Rushdie, Mistry, Sinha, and Kanga," I consider the representation of the clinic and of physicians in addition to the representation of disabled people in the novels included in this thesis. Doctors and medical apparatus become symbolic correlates for different political impositions and political strategies, often representing the abuses and failures of government or of public policy. I will frame my discussion within Foucault's concept of the clinic, and will consider the ways in which traditional and Western medicine take on symbolic meaning in these fictions of India.

During the course of my dissertation I demonstrate the way in which Anglo-Indian women writers of the late nineteenth century and early twentieth century diverge from the genre of the "feminine picturesque" as explained by Sara Suleri in her book, The Rhetoric of English India. I look too, at what Indo-English women use as a genre, instead of the "feminine picturesque". I also apply Spivakean ideas on representation to their writing in order to see the similarities and differences between my primary texts and the theory. I begin my dissertation by explaining what Sara Suleri means by the "feminine picturesque" and how I intend using it to better understand the primary texts I look at. I also explain Spivak's ideas on representation and how I intend using them to further my appreciation of Anglo-Indian and Indo-English writing of this period. I conclude my thesis by discussing my findings with regard to the theorists looked at, and how their ideas have been reflected in the four principal texts I examined. / Thesis (M.A.)-University of Natal, Pietermaritzburg, 2001.