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Thesis (M.Arch (Professional)--University of the Witwatersrand, Faculty of Engineering and the Built Environment, 2016. / India is currently undergoing a rapid transformation economically, consciously and spatially. A layout of national infrastructure is happening at a pace which may be ungovernable, in its current state and India’s historical and natural landscapes are in jeopardy. One such ecological resource is the Ganga (colonialised as the Ganges), which through continued pollution is reaching a point of irreversible damage. There is, however, still hope. Accordingly, this thesis moves from an overview of India in the globalised world, through a rephrasing of how “development” is understood and manifests itself to the suggestion of an overall plan to understand and implement it in a way that is co-ordinated in intention but regionally and contextually responsive in application. Through Homi Bhabha’s theoretical perspective of cultural hybridisation the discourse of creating a new infrastructural identity for India is introduced. The current political focus on the Ganga, created by India’s Prime Minister, Narendra Modi, through a renewed and trending agenda for cleaning the holy river, acts as a platform to explore the possibilities of infrastructure within this context . The Ganga River has been a religious symbol for millennia and the life force to approximately 500 million people. Through continued and increased pollution the quality of its water now radically exceeds the minimum requirements for safe drinking, bathing or even agricultural use. The Ganga River symbolises a cosmological relationship between people and the ecological environment, which requires that pollution be approached from a holistic viewpoint responding to the weight of its cultural value. This contextualized approach has the potential to become a catalyst for new innovative approaches to the integration of infrastructure throughout the river network . By using the political momentum created in the city, by the national project, this thesis is realised through a multiplicity of conflicting lenses inherent to Varanasi, one of India’s holiest cities. The city itself is growing economically but at the price of its prized ancient heritage. It possesses a cosmological value unparalleled by any other city in the country thus making it an emotionally powerful tool to mobilise a cleaning project for the river. If infrastructure is not implemented correctly the threat to the city’s unique character becomes real. This challenge created the Meta question for my research: How do you implement infrastructure into the sacred landscape? Through various degrees of research, both intuitive and informed, a system to clean water is designed in a way that truly integrates into a cultural landscape. The proposed design establishes itself as the first intervention in a national network for cleaning the River. By taking into account the infrastructural, ecological and sociological requirements of the city and its daily life the water purification sanctuary mediates the conflicting programmatic requirements between spirituality and science. Through an understanding that purity of water has a number of connotations within the site context the building utilises various treatment methods to reinforce the sanctity ABSTRACT of water through a hybrid mediation of heritage, nature, science and infrastructures (both vernacular and modern). This new typology enables the interaction of people with water cleaning infrastructure at a local scale and offers a way forward in redefining a national identity that is bound up in these currently conflicting imperatives.

This paper presents a conceptual framework of important cultural values, activity patterns and environmental patterns in the home environment of a typical middle-income family in Madras a South Indian City. The position of this paper is that cultural variables should play an important part in determining the form of housing; they should be explicitly accounted for and values should be related to the different components of the built environment. This framework is intended to serve as a guide suggesting programmatic criteria for design of culturally-responsive housing. As it relates abstract values to components of the built environment, and design patterns, the framework includes descriptive graphics and images.The main body of the framework is a summary of societal and activity patterns, and elements of design. A descriptive analysis of societal and family patterns looks at the interactions between society, family and the individual. Activity patterns in and around the home with their symbolic associations are examined in detail. Implications for the home environment are drawn from the observations made in these sections. This is followed by a look at the elements of design that have been manipulated in existing house forms to create culturally appropriate environments.The concluding part of the framework presents a way in which the earlier observations can be assimilated into the design process. A sample set of environmental patterns are presented using images, with their cultural purpose, design descriptions and variants. This is followed by a matrix where family types, individual roles and activities are related to the environmental qualities and in some cases to sample environmental patterns.The research involved anthropological studies for an understanding of the cultural elements like family and kinship structure, myths and beliefs, values and priorities, etc., in the Indian context. Analysis of changing house forms in response to social and cultural changes in history, and designs of culture sensitive architects, helped to identify the environmental components that relate to specific values. Christopher Alexander's idea of `patterns' was used as a tool to translate abstract cultural criteria into recognizable environmental settings. / Department of Architecture

This study focuses on the British wives of civil servants and army officers who lived in India from 1857 to 1939 to examine the translation of feminine discourses of bourgeois domesticity over imperial space. Three questions form the subject of this research. First, how were cultures of domesticity and imperialism intertwined in complex and often contradicatory ways over space? Second, did imperial rule, and the travel that it necessarily implied, challenge or reinforce the claim that 'there's no place like home'? Third, how and why were places both like and yet unlike 'home' produced by British women living in India? I start by examining the 'mutiny' of 1857-1858 as a period of domestic and imperial crisis, focusing on representations of and by British women at Cawnpore and Lucknow. Then, considering the place of British women in the post-'mutiny' reconstruction of imperial domesticity in India, I focus on two scales: first, home and empire-making on a household scale; and, second, seasonal travels by British women to hill stations in North India. In their travels both to and within India, British women embodied contested discourses of imperial domesticity. Throughout, I focus on the mobile, embodied subjectivities of memsahibs. While imperial histories have often neglected the roles played by British women in India, revisionist accounts have often reproduced stereotypical and / or celebratory accounts of memsahibs. In contrast, I examine the ambivalent basis of imperial and gendered stereotypes and conceptualise spatialised subjectivities in terms of embodiment, critical mobility, and material performativity. As members of an official elite, the British wives of civil servants and army officers came to embody many of the connections and tensions between domesticity and imperialism. Both during and after the 'mutiny,' the place of British women and British homes in India was contested. The place of British women and British homes in India reveal contradictions at the heart of imperial rule by reproducing and yet destabilizing imperial rule on a domestic scale

This study focuses on the British wives of civil servants and army officers who lived in India from 1857 to 1939 to examine the translation of feminine discourses of bourgeois domesticity over imperial space. Three questions form the subject of this research. First, how were cultures of domesticity and imperialism intertwined in complex and often contradicatory ways over space? Second, did imperial rule, and the travel that it necessarily implied, challenge or reinforce the claim that 'there's no place like home'? Third, how and why were places both like and yet unlike 'home' produced by British women living in India? I start by examining the 'mutiny' of 1857-1858 as a period of domestic and imperial crisis, focusing on representations of and by British women at Cawnpore and Lucknow. Then, considering the place of British women in the post-'mutiny' reconstruction of imperial domesticity in India, I focus on two scales: first, home and empire-making on a household scale; and, second, seasonal travels by British women to hill stations in North India. In their travels both to and within India, British women embodied contested discourses of imperial domesticity. Throughout, I focus on the mobile, embodied subjectivities of memsahibs. While imperial histories have often neglected the roles played by British women in India, revisionist accounts have often reproduced stereotypical and / or celebratory accounts of memsahibs. In contrast, I examine the ambivalent basis of imperial and gendered stereotypes and conceptualise spatialised subjectivities in terms of embodiment, critical mobility, and material performativity. As members of an official elite, the British wives of civil servants and army officers came to embody many of the connections and tensions between domesticity and imperialism. Both during and after the 'mutiny,' the place of British women and British homes in India was contested. The place of British women and British homes in India reveal contradictions at the heart of imperial rule by reproducing and yet destabilizing imperial rule on a domestic scale / Arts, Faculty of / Geography, Department of / Graduate

This doctoral thesis explores the entanglement of religion and identity politics in the Indo-Burma borderlands and the indigenisation of Christianity there through grassroots processes of cultural revivalism. The ethnographic focus is on the Sumi Naga from the state of Nagaland in Northeast India. While the Sumi started converting to Baptist Christianity at the beginning of the twentieth century, conversion rates accelerated especially in the 1950s and again in the 1970s when two evangelical revivals swept across the lands of the Sumi and resulted in their conversion en masse. Significantly, these Great Revivals coincided in time with the most turbulent political history of this borderland region, as the Sumi, alongside all other Naga, were waging an armed struggle against the Indian nation-state for their right to self-determination and independence. While this struggle is now largely being fought with political rather than military means, it remains ideologically motivated by Naga perceptions of their distinct ethnic identity, history and culture compared to the rest of India. Baptist Christianity has played a central role in shaping and sustaining these perceptions. Over the past several decades following the Second Great Revival in the 1970s there has been a movement from within Sumi society to reconstruct and redefine their identity by drawing heavily on both their contemporary religion (Baptist Christianity) and their 'good' pre-Christian culture, which had been demonised and rejected in the course of earlier conversions. Discourses have been circulating in public space on the urgent need to reconceptualise collective Sumi identity by reviving, or preserving, those aspects of pre-Christian Sumi culture that are perceived as 'good' and constitutive of Sumi-ness but are currently 'under threat' of being gradually lost to modernity and foreign influences. These discourses are directly linked to processes of cultural revivalism across Nagaland, which have been motivated by a sense of the perceived loss of 'good' cultural heritage and cultural roots. This thesis is an ethnographic study of these processes of identity (re)construction within a Sumi Naga community. It sets out to examine the ways in which Baptist Christianity is central to everyday life in a Sumi village and how it plays an important role in forging group cohesion and solidarity through ritual practice and various forms of fellowship. The thesis then proceeds to study the phenomenon of cultural revivalism in both its discursive and practical manifestations. The thesis argues that the cultural revival has not reduced the centrality of Baptist Christianity to Sumi self-ascriptions and perceptions of identity, but is rather thought to have enriched it and given it a stronger cultural foundation. Hence, a Sumi Naga Christianity is being created which is perceived as unique, indigenous and distinct in its own right. The thesis attempts to explore the essence of this vernacular Christianity against the backdrop of its specific historical, economic, political and spiritual context and the all-encompassing Naga struggle against the Indian nation-state. In pursuing these issues, the thesis locates itself within debates on the intersection between religion and identity politics, which prevail in many contemporary contributions to the anthropology of Christianity.