The purpose of this study was to identify the needs of the Purhepecha children, also referred to as Tarascan, and their families living in the Eastern Coachella Valley located in California. A questionaire was developed by the author in order to identify the population's specific needs. Ultimatley, it is with hope that the Purhepecha people's needs will be understood as relevant to their language and culture, and make these needs public for other professionals working with this population.

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.

Beginning in the tenth century, Chaco Canyon emerged as an important center whose influence shaped subsequent cultural developments throughout the Four Corners area of the American Southwest. Archaeologists investigating the prehistory of Chaco Canyon have long been impressed by its massive architecture, evidence of widespread trading activities, and ancient roadways that extended across the region. Research on Chaco Canyon today is focused on what the remains indicate about the social, political, and ideological organization of the Chacoan people. Communities with great houses located some distance away are of particular interest, because determining how and why peripheral areas became associated with the central canyon provides insight into the evolution of the Chacoan tradition. This volume brings together twelve chapters by archaeologists who suggest that the relationship between Chaco Canyon and outlying communities was not only complex but highly variable. Their new research reveals that the most distant groups may have simply appropriated Chacoan symbolism for influencing local social and political relationships, whereas many of the nearest communities appear to have interacted closely with the central canyon--perhaps even living there on a seasonal basis. The multifaceted approach taken by these authors provides different and refreshing perspectives on Chaco. Their contributions offer new insight into what a Chacoan community is and shed light on the nature of interactions among prehistoric communities. "The multifaceted approach . . . provides different and sometimes refreshing perspectives on Chaco. Their contributions offer new insight into what a Chacoan community is, and they shed new light on the nature of interactions among prehistoric communities." —Traditional Dwellings & Settlements Review

This dissertation examines the activities of hunting and exchange and how they are thought about by the northern Quebec Cree of Wemindji. The activities of material production are generated in the dialectical relation of experience to Cree structures of thought. Reciprocity amounts to a paradigm for Cree thought, informing models of both ecological and social relations. The effect of material relations on structural transformations is viewed in discursive genres of several levels, ranging from everyday dialogue to mythico-ritual symbolism. Special attention is paid to four categories of "persons" which have been of consuming interest to the natural and social science of the Crees: Canada geese, black bears, Crees, and "White Men".

Landscape is a medium of expression and a reflection of the beliefs of the people who inhabit it. It carries symbolic meanings that emerge from the values by which people define themselves; values grounded in culture. These symbols stem from elements of the natural environment, stories passed on through generations, or from experiences interacting with others. The indigenous peoples of Canada have a culture rich in traditional art, ceremony, and sustainable development and holistic integration of landscape. Contemporary First Nation culture draws from this past to inform the future. This phenomenon exemplifies the necessity for cultural expression in First Nation landscapes of today. The Semiahmoo First Nation in Lower Mainland British Columbia is a Coast Salish group occupying approximately 380 acres of land on the Pacific coastline. River and estuarine habitats, significant species richness and dense vegetation characterize the area and identify the primary motive for Semiahmoo traditional encampment on its shores. Changes in the past century have included colonial settlement to the region, periods of industrial and resource economies, a decrease in band population and subsequent decline in cultural practices. Current increasing recreation and development interests have created urgency for the reawakening of cultural expression in the landscape. Initial literature research about First Nations in Northwest Canada and a biophysical analysis provided introductory information, followed by community discussions which provided a deeper understanding of the people and of the place. A design vocabulary of traditional and contemporary elements was composed to guide and unify the program and spatial components of the design. The resulting design focuses on the public realm of the Reserve clearly defining Semiahmoo identity and sense of place. Land use issues were addressed and delineated public and private areas, ecological enhancements and displayed potential for growth on the site. The design respects the bicultural interface of the Reserve while providing cultural and environmental education. The First Nation value system possesses a tangible and spiritual quality; rooted in the creatures and elements of their surroundings. Expression of the Semiahmoo peoples' beliefs and values in the landscape enriches the experiential qualities of the place and reverence for its past and future.

This study examines the foundation of contemporary Cree performance, tracing its existence to traditional Cree narratives. Contained within traditional Cree stories is the trickster, Wasakaychak. These oral stories are shared collectively, providing the community with relevant cultural knowledge. The thesis concludes that contemporary Cree playwrights and performers such as Shirley Cheechoo and Margo Kane maintain the roles of traditional storytellers because their work informs its audience about the history of the land and also comments on the state of the community. This study further demonstrates how the mythological character, Wasakaychak, remains an active part of Cree society by examining his significance within Tomson Highway's plays, The Rez Sisters and Dry Lips Oughta Move to kapuskasing. / v, 107 leaves ; 28 cm.

The purpose of this thesis is to explore and provide an understanding of Kainai peacekeeping and peacemaking within the context of the Kainai worldview, employing postcolonial Indigenous theory and a Kainai process of inquiry. Relying on the oral tradition, as articulated by Káínai elders, as a primary source, Káínai peacekeeping and peacemaking is elucidated through an interpretive approach that examines the foundational principles of the Káínai worldview, as well as Káínai values, relationships, traditions, and customs. It is demonstrated how these function in unison to effect peacekeeping and peacemaking. The results of this study further an understanding of Káínai peacekeeping and peacemaking, aboriginal justice in general and Indigenous knowledge. The results will also contribute to Káínai in the development of a contemporary peacemaking model as part of its Justice Initiative. / xi, 165 leaves ; 29 cm.

This study examines the history and culture of the Odawa people from their prehistory until the present time. This paper looks at a creation story of the Odawa to see how they perceived their own beginnings. Following this, there is an examination of the prehistory, protohistory and history of this people. The section on the history of this people is broken up into three major periods---French, British and American. In the course of this examination, it is discovered that they were originally part of the loosely structured Anishnaabeg (People), or the Ojibwa, Odawa and Potawatomi, which were made up of separate bands. They then coalesced into the Odawa, primarily under the influences of European contact. Finally, in the American period, they split into two main groupings---the Great Lakes and Oklahoma. This paper explores why the Oklahoma group ended up acculturated while the Great Lakes bands retained their culture. / Department of Anthropology

Doctorat en sciences sociales, politiques et économiques / info:eu-repo/semantics/nonPublished

Landscape is a medium of expression and a reflection of the beliefs of the people who inhabit it. It carries symbolic meanings that emerge from the values by which people define themselves; values grounded in culture. These symbols stem from elements of the natural environment, stories passed on through generations, or from experiences interacting with others. The indigenous peoples of Canada have a culture rich in traditional art, ceremony, and sustainable development and holistic integration of landscape. Contemporary First Nation culture draws from this past to inform the future. This phenomenon exemplifies the necessity for cultural expression in First Nation landscapes of today. The Semiahmoo First Nation in Lower Mainland British Columbia is a Coast Salish group occupying approximately 380 acres of land on the Pacific coastline. River and estuarine habitats, significant species richness and dense vegetation characterize the area and identify the primary motive for Semiahmoo traditional encampment on its shores. Changes in the past century have included colonial settlement to the region, periods of industrial and resource economies, a decrease in band population and subsequent decline in cultural practices. Current increasing recreation and development interests have created urgency for the reawakening of cultural expression in the landscape. Initial literature research about First Nations in Northwest Canada and a biophysical analysis provided introductory information, followed by community discussions which provided a deeper understanding of the people and of the place. A design vocabulary of traditional and contemporary elements was composed to guide and unify the program and spatial components of the design. The resulting design focuses on the public realm of the Reserve clearly defining Semiahmoo identity and sense of place. Land use issues were addressed and delineated public and private areas, ecological enhancements and displayed potential for growth on the site. The design respects the bicultural interface of the Reserve while providing cultural and environmental education. The First Nation value system possesses a tangible and spiritual quality; rooted in the creatures and elements of their surroundings. Expression of the Semiahmoo peoples' beliefs and values in the landscape enriches the experiential qualities of the place and reverence for its past and future. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate