L’entrée en établissement d’hébergement pour personnes âgées dépendantes (EHPAD) constitue pour celles-ci un évènement important. Elle est le passage de la vie chez soi, lieu de l’intime, vers un espace collectif, probable dernier lieu de vie, qui affecte le rapport aux temps. Or, si le temps chronologique est régulier, homogène et irréversible, le temps vécu et éprouvé des hommes est autre : il est caractérisé par une temporalité habitée par les expériences. Nous nous sommes interrogés sur la perception du temps dans la conscience interne de la personne âgée. Est-ce que la perception du temps chez la personne âgée diffère selon sa situation de vie ? Le cadrage théorique convoqué est essentiellement philosophique et en ce qui concerne la perception du temps plutôt phénoménologique. Ceci nous a permis de construire le problème de recherche : Est-ce que les temps et les projets s’expriment de façon différenciée dans la conscience interne de la personne âgée selon qu’elle est placée en EHPAD ou vit à son domicile ? L’étude comparative des récits des personnes âgées vivant en institution EHPAD et de celles demeurant à domicile s’inscrit dans une méthodologie qualitative. Les interprétations des analyses de contenus mettent en évidence deux environnements aux caractéristiques opposées : en EHPAD, se produisent des ruptures et des altérations de la conscience interne tandis qu’à domicile, il y a plutôt continuité de vie et activation de la conscience interne. / Moving into a nursing home is an important step in the life of an elderly person. It means shifting from their own home, a private place, to a communal space likely to be the last place where they will live and this affects their sense of time. We asked ourselves what the perception of time is in the inner consciousness of older people and whether the perception of time in the elderly varies depending on their place of living. The theoretical framework is essentially philosophical while that of the perception of time is rather phenomenological. These form the basis for constructing our research question: Do timespans and future plans expressed in the inner consciousness of the elderly differ depending on whether they have been placed in a nursing home or live in their own homes ? The comparative study of the narratives of seniors living in nursing homes and those living in their own home relies on a qualitative approach. Interpretations of content analyzes show the two surroundings have opposite characteristics : there occur disruptions and alterations in the inner consciousness of those in nursing homes, while there tends to be continuity of life and activation of the inner consciousness for those staying in their own homes. Desubjectivation of people living in nursing homes is the result of a process that is being built up and this contradicts the hypothesis of the existence of a direct causal relationship that woud be attributable solely to the context of placement.

This research is dedicated to the connection between phenomenology of music and the temporal conception of Edmund Husserl who influenced new awareness of time in general and musical time in particular. The purpose of the research is foremost to expand horizons and options of musical-philosophical analysis through discovering the alternative understanding of musical perception in author's works especially in his «Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins». The research consists of five main parts arranged by deductive principle: from the general key points of the subject - phenomenology of music (chapter 1), the role of musical art in studies and heritage of E. Husserl (chapter 2) and principles of phenomenological method as a base of temporality conception (chapter 3) the emphasis gradually shifts towards the research of Husserl's temporality conception which is directly connected to musical art which makes our subject notably actual. Besides that the research raises such questions as the role of the concept of time in music, comparison of Husserl's philosophy and A. Webern's music, importance of sense in composition and others. The fundamental and rare scientific studies of philosophy, musicology, sociology of music and other contiguous subjects in Czech and English languages were...