Thesis (Ph. D.)--University of California, San Diego, 2003. / Vita. For 2 guitars, 2 percussionists, piano, violin, viola, violoncello, and 2 double basses.

Thesis (Ph. D.)--University of California, San Diego, 2003. / Vita. For flute, oboe, 2 clarinets, 2 horns, 2 trumpets, trombone, tuba, 2 percussionists, 2 pianos, harp, 4 violins, viola, violoncello, and 2 double basses. Performance instructions precede score. Also available on the World Wide Web. (Access restricted to UC campuses).

Dissertation (D.M.) -- Florida State University, 2003. / Advisor: Ladislav Kubík, Florida State University, School of Music. Title and description from dissertation home page (viewed 11-21-03) Document formatted into pages; contains 66 pages. Includes biographical sketch.

Thesis (M.M.) -- Florida State University, 2003. / Advisor: Mark Wingate, Florida State University, School of Music. Title and description from thesis home page (viewed 11-19-03). Document formatted into pages; contains 70 pages. Includes biographical sketch.

Thesis (Ph. D.)--University of Chicago, Department of Music, August 2001. / For instrumental ensemble of winds, double bass, keyboards, and percussion. Includes performance notes. Also available on the Internet.

Thesis (M.M.)--University of Missouri-Columbia, 2006. / The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 21, 2009) Includes bibliographical references.

Thesis (D.M.A.)--Columbia University, 2003. / For flute, oboe, clarinet, horn, percussion, piano, violin, viola, violoncello and double bass. Duration: 16 min. Title from v. 2 (score). Department: Music. Proquest Digital Dissertations Online ; Subscription required. Also available via the World Wide Web;

Thesis (Ph. D.)--University of California, San Diego, 2006. / Vita.

Macula is a two-movement piece of music written for a mixed ensemble often instruments. The piece explores an aspect of visual perception in which an object seemingly becomes both larger and more detailed as it draws closer. This becomes a metaphor for the structure of the piece, where materials are gradually transformed and re-contextualized to suggest the notion of continually zooming in. The accompanying analytical paper gives a general overview of the procedures and techniques used to organize and compose the piece.

Thesis (M.A.). / Written for the Schulich School of Music. Title from title page of PDF (viewed 2008/05/13). Score preceded by analysis. Includes bibliographical references.