M. Tech. Interior Design / The focus of this study was a small university library situated on the TUT Arts Campus in Pretoria. Since the library opened its doors nearly 20 years ago, little attention was paid to the interior and no alterations were implemented since then. Staff and students did not perceive the library as a positive asset due to the state of disrepair of its interior. As indicated by previous studies, redesigning a library interior has the potential to improve the learning environment it offers. It was hypothesised that the condition of the TUT Arts Campus library interior may have been a deterring factor causing students' reluctance to use it and that the redesign of the library's interior would have the potential to solve this real-life problem. This study involved itself with the process of redesigning the interior of the TUT Arts Campus library and the process of achieving the final design. The study dealt with answering the research question: How may one go about to redesign the interior of the TUT Arts Campus library, with the use of focus groups involving iterative cycles and user-based input, to increase student usage?

D. Tech. Graphic Design / This study offers an artistic engagement with the lived, working environment of the mental healthcare providers in a ward of a psychiatric hospital. First encounters with this environment strongly suggested that the environment was not optimally aligned with the purpose and function of such an environment. The main aim of this study was to investigate, develop and establish an enhanced sense/state of wellbeing amongst mental healthcare providers at a Psychiatric Hospital by creating and introducing colour landscape images in/into their working environment.

Thesis (MTech (Interior Design))--Cape Technikon, Cape Town,1996 / This research project has endeavoured to analyse the extent to which craft ideas and techniques are combining with technological skills in order to formulate an identity for Western Cape furniture design. This identity has been shown to be strongly linked to the determinants of style". which include the national striving for a South African zeitgeist. a sense of unified spirit. The problems of eclecticism are discussed in the light of superficial ethnic cooption. The new craft of the Western Cape (and more specifically Cape Town) of South Africa. is represented against the background of the old craft of the Arts and Crafts Movement in Britain at the turn of the century. Those old methods and ideas influenced the Cape Colony especially when it was under British rule. This dissertation shows that the new craft ideas and methods are synonymous with the new ideology of South Africa. a new craft for a new South Africa. The designers and practical work selected to be part of this research all share a common approach in their positive attitude towards experimenting with new techniques and using available resources to produce quality furniture which is accessible to most consumers. The work of four design groups: Greenspace. Metropolis. Flying Cow and the Montebel70 Smithy are discussed in terms of the objectives of this research which are essentially linked to the unravelling of the determinants of style and their relation to the concept identity in the South Africa which has succeeded the first free and fair general elections of April 1994.