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Cutting and Adapting Prose and Poetry for Oral InterpretationHarlien, Rita Chambliss 06 1900 (has links)
The purpose of this study is to devise a method of developing competency in the cutting and adaptation of prose and poetry for oral interpretation. This method is a pervasive element of the thesis and consists of (1) general principles derived from theories expressed by both interpretation and literary authorities and from observations made in the classroom, (2) suggested guidelines for cutting specific forms of literature, and (3) illustration of these directives by application to selected prose and poetry.
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Transgressing boundaries : hybridity in Zhang Ailing's writing and its multidimensional interpretations in contemporary ChinaWang, Yuan, 1977- January 2006 (has links)
No description available.
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Etude stylistique des romans d'Emile AjarFortier, Dominique, 1972- January 1997 (has links)
No description available.
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The tickled underbelly : Peter Greenaway and the aesthetics of ambivalenceJenkins, Brad. January 2000 (has links)
No description available.
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Hornswogglers, whangdoodles and other dirty beasts : the comic grotesque in Roald Dahl's writings for childrenSzuber, Maria. January 1999 (has links)
No description available.
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San-Antonio : le carnaval moderneAubertin, Marie-Andrée. January 1997 (has links)
No description available.
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Mythocritique des Contes de Jacques FerronCaumartin, Anne. January 1998 (has links)
No description available.
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La volonté de puissance dans l'œuvre romanesque de Réjean Ducharme /Langlois-Benghozi, Marielle January 1976 (has links)
No description available.
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Jacques Ferron, poèteGagné, Geneviève January 2002 (has links)
No description available.
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Certain preoccupations : the progression toward Catholic orthodoxy in the work of Flannery O'ConnorFlannery, Melissa C. January 1979 (has links)
No description available.
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