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Paměť v románech Dermota Healyho / Memory in the Novels by Dermot HealyGemrichová, Marie January 2021 (has links)
English title and keywords: Memory in the Novels by Dermot Healy - Dermot Healy, Irish literature, Irish novel, memory, collective memory Despite his large and diverse body of work Irish writer Dermot Healy remains somewhat ignored by scholars. However, his formally diverse writing which spans from novels and short stories to poetry and dramatic work is without a doubt worthy of critical response. One of Healy's themes is an engagement with the formation of memory and with how an experience transforms in the mind of its 'experiencer' and changes into what from a certain perspective may be regarded as fiction. Stemming from his own life experiences the author engages a topic common to all human beings and plays with the concept of memory and its possible distortion in his autobiography The Bend For Home (1996), as well as in his plays and poems. His autobiographic work can be seen as a background for the theme; however, the present thesis will focus on Healy's novels, starting with Fighting with Shadows (1984) through A Goat's Song (1994), Sudden Times (1999) to his final novel Long Time, No See (2011). In these books and in the characters that Healy presents we are able to observe individuals with diverse personal histories who return to individual experienced events through reconstruction and in...
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Voz e consciência narrativa: a percepção da família pela perspectiva feminina em três romances irlandeses / Narrative voice and consciousness: female perspectives on the family in three irish novelsFerreira, Rejane de Souza 09 December 2014 (has links)
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Previous issue date: 2014-12-09 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This doctoral dissertation has as its aim to analyse in three Irish novels (The
Gathering, by Anne Enright, The Blackwater Lightship, by Colm Tóibín, and The Light
of Evening, by Edna O‟Brien), how the female main protagonists of the novels perceive
or understand their families, from the point of view through which their stories are
narrated, as well as through the way they understand their own generation and those of
their mothers and grandmothers. Through these perceptions the dissertation also tried to
analyse the political and cultural transformation Ireland went through in the Twentieth
Century. This period witnessed two great historical events for the country: its
Independence in 1922, and its glorious years of economic development, which began
around 1990, with the so called Celtic Tiger Years, and lasted until 2008. The analysis
of the selected novels as the corpus of this dissertation according to their narrative
points of view and the historical, political and cultural contexts in which they are set is
also a way of analysing the contribution their authors gave to our own understanding of
Ireland as a nation. / Esta tese tem por objetivo analisar, em três romances irlandeses (The Gathering,
de Anne Enright, The Blackwater Lightship, de Colm Tóibín e The Light of Evening, de
Edna O‟Brien), como as protagonistas das obras percebem ou entendem suas famílias,
tanto a partir do ponto de vista através do qual suas histórias são narradas, quanto
através do modo como compreendem suas próprias gerações e as gerações de suas mães
e avós. Através dessas percepções, procurou-se analisar também as alterações políticas e
culturais pelas quais a Irlanda passou, ao longo do século XX. Esse período marca dois
grandes acontecimentos históricos para o país: sua independência, em 1922, e seus anos
de glória e crescimento econômico, iniciados por volta de 1990, com o chamado Tigre
Celta, e que durou até 2008. A análise dos romances selecionados como corpus desta
tese, de acordo com seus pontos de vista narrativos e os contextos histórico, político e
cultural em que eles estão inseridos é também uma forma de analisar a contribuição que
seus autores deram para nosso próprio entendimento da Irlanda enquanto nação.
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