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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Aesthetics of colours in Japanese traditional paintings and woodblock prints in the Edo Period

Wang, Siying 05 January 2017 (has links)
The aim of this thesis is to examine and study Japanese traditional colours: gold and red for the Kanō school, blue and purple for the ukiyoe, including their symbolic meanings, pigments, how they were applied in art works and how they were related to Japanese aesthetics. This thesis is comprised of four chapters: the Introduction, Chapter 2, Chapter 3, and Conclusion. The introduction indicates the research purpose, theory, and research method. It also demonstrates the reason why the four colours and the two schools were selected. A combination of western colour theory, represented by Goethe, and Asian colour theory, represented by Five-elements theory and Confucius, is used in the following studies. In Chapter 2, studies on the colour gold and red for the Kano school are presented. These show that Japanese aesthetics is not a simple concept, but an aggregation of conflicting senses of values. The thesis then examines the colour blue and purple for the ukiyoe in Chapter 3. The two colours illustrate the concept of Japanese aesthetics, especially wabi-sabi, 侘び寂び, shibui, 渋い, and iki, 粋”. In the two detailed central chapters, the thesis provides readers with resourceful charts and pictures of paintings that are helpful to understand the statement. Finally, the thesis concludes the studies on Japanese traditional colours and their relations to Japanese aesthetics. This thesis hopes to not only help scholars in the field of Japanese traditional art and art history, but also offer some inspiration to readers who are doing research on Japanese contemporary design and modern art. / Graduate / 0377 / 0357 / siyingwang2013@163.com
2

Transformation in the aesthetics of tea culture in Japan

Maetani, Masumi. January 2007 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2008. / Also available in print.
3

Problems of Mokuʼan Reiʼen (?-1323-1345)

Shimizu, Yoshiaki, January 1900 (has links)
Thesis (Ph. D.)--Princeton University, 1974. / Originally issued in 3 v.; v. 3 (illustrations) not submitted for reproduction. Each entry in the bibliography is transliterated and is in Chinese or Japanese characters. Includes bibliographical references (v. 1, leaves 322-343).
4

Ogata Kenzan (1663-1743)

Wilson, Richard L., January 1985 (has links)
Thesis (Ph. D.)--University of Kansas, 1985. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 412-416).
5

Figure compositions in seventeenth century Chinese prints and their influences on Edo period Japanese painting manuals

Kobayashi, Hiromitsu. January 1987 (has links)
Thesis (Ph. D.)--University of California, Berkeley, 1987. / Includes bibliographical references (leaves 185-197).
6

The Transformation of Pure Land thought and the development of Shinto shrine mandala paintings Kasuga and Kumano /

Darling, Leonard Bruce. January 1983 (has links)
Thesis (Ph. D.)--University of Michigan, 1983. / Index of references to illustrations, leaves 643-646. Includes bibliographical references (v. 1, leaves 442-483).
7

The Ban Dainagon ekotoba, the Kibi Daijin nittō emaki, and the Nenjū gyōji emaki a reassessment of the evidence for the work of Tokiwa Mitsunaga embodied in two Japanese narrative scroll paintings of the twelfth century, and one presumably close copy /

Glum, Peter. January 1981 (has links)
Thesis (Ph D.)--New York University, 1981. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 447-466).

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