Spelling suggestions: "subject:"jesus christ -- In literature."" "subject:"jesus ghrist -- In literature.""
1 |
Christ's proclamation to the spirits in 1. Peter 3:19 in light of apocalyptic literatureStadler, Spencer Richard Gerd. January 1991 (has links)
Thesis (M.T.S.)--Northwest Baptist Theological Seminary, 1991. / Abstract and vita. Includes bibliographical references (leaves 307-321).
|
2 |
Dogmatic formalism to practical humanism changing attitudes towards the passion of Christ in medieval English literature /Marshall, Robert Doyle, January 1965 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1965. / Typescript. Vita. Abstracted in Dissertation abstracts, v. 25 (1965) no. 10, p. 5910. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 247-252).
|
3 |
Die Handschriftengruppe 'Do der minnenklich got'; ein Beitrag zur spätmittelalterlichen Passionsliteratur.Schelb, Albert Viktor, January 1972 (has links)
Diss.--Freiburg im Breisgau. / "Der Text der Cod. St. Peter Perg. 41 der Bad. Landesbibliothek in Karlsruhe": p. [199]-376. Bibliography: p. [i]-xvii.
|
4 |
The symbol of Christ in the poetry of William BlakeNemanic, Gerald, 1941- January 1965 (has links)
No description available.
|
5 |
In the foreskin of the heart : ecumenism in Sholem Asch's Christian trilogyMorgentaler, Goldie, 1950- January 1986 (has links)
No description available.
|
6 |
In the foreskin of the heart : ecumenism in Sholem Asch's Christian trilogyMorgentaler, Goldie, 1950- January 1986 (has links)
No description available.
|
7 |
Quatre poètes au jardin des OliviersBaril, Joselle January 2003 (has links)
In the course of the romantic movement, the vision of the poetic ministry has been expressed by several poets through the figure of Jesus at the Mount of Olives. While Lamartine appropriates the suffering of Christ in order to proclaim himself to be a poet-prophet, Vigny refuses the silence of God. He, thus, accomplishes his poetic mission against God. Whereas Hugo does not take into consideration the meaning of Jesus' agony in order to make the Gethsemane a place of glory, Nerval rejects the notion of a Christlike mission. Hence, by putting into words the death of God, he foretells what Hugo Friedrich will later call an "empty transcendence", which is the very sign of modern poetics. Romanticism carried within itself the signs of the end of transcendence of poetics. Therefore, we will analyse the transition of romanticism to modernity in these four poems1 through the representation of Jesus Christ at Gethsemane. / 1"Gethsemani ou la mort de Julia" d'Alphonse de Lamartine, "Le Mont des Oliviers" d'Alfred de Vigny, un extrait (strophes VI, VII et VIII du Chapitre intitule Jesus-Christ) de La Fin de Satan de Victor Hugo et "Le Jardin des Oliviers" de Gerard de Nerval.
|
8 |
The Anabaptist vision of Rudy Wiebe : a study in theological allegoresisHildebrand, George H. January 1982 (has links)
Typological methods and a scheme of Protestant iconography constitute the fiction of Rudy Wiebe. This structure and style are the necessary consequences of an artistic vision that is self-consciously Christian and evangelical. After a brief discussion of the problem of belief and literature, the dissertation presents Wiebe's Anabaptist theology and examines the typological and parabolical means by which Christian beliefs can become a method of composition. Wiebe's project is to create a fiction in which realistically presented lives and actions exist consubstantially with the gospel of Jesus. A pervasive iconic imagery and ironic reference result in a carefully controlled evangelical "sentence," one which allows Wiebe a fictional re-enactment of the incarnation. In Peace Shall Destroy Many, First and Vital Candle, and The Blue Mountains of China. Wiebe experiments with retrospective typology and with analogical sacrificial actions. In the historical novels (The Temptations of Big Bear, The Scorched-Wood People, The Mad Trapper), he exploits typology proper, giving epistemological authority to his chronicles of faith by establishing the hermeneutical divide in history itself. The gospel is again present, but now it is almost entirely anticipatory and ironic. The dissertation concludes by speculating about Wiebe's latest experiment in evangelical fiction, the self-regarding dramatization of a Christian Wiebe-persona acting in a documentary present.
|
9 |
The allegory of the Christ-knight in English literatureLe May, Marie de Lourdes, January 1932 (has links)
Thesis (Ph. D.)--Catholic University of America, 1933. / At head of title: The Catholic University of America. Bibliography: p. 85-89.
|
10 |
The allegory of the Christ-knight in English literature,Le May, Marie de Lourdes, January 1932 (has links)
Thesis (Ph. D.)--Catholic University of America, 1933. / At head of title: The Catholic University of America. Bibliography: p. 85-89.
|
Page generated in 0.0988 seconds