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The iconography of Ancient Greek and Roman jewelleryPinckernelle, Kathia. January 2008 (has links)
Thesis (MPhil(R)) - University of Glasgow, 2008. / MPhil(R) thesis submitted to the Department of History of Art, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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Images of the crucifixion in late antiquity : the testimony of engraved gemsHarley, Felicity. January 2001 (has links) (PDF)
Bibliography: leaves 289-313. A study which takes as its focus five gemstones, each engraved with an image of the Crucifixion and previously dated to the Late Antique period. The study undertakes an examination of the gems' iconographic as well as compositional, physical and epigraphic evidence, and demonstrates the way in which critical information regarding the evolution of the Crucifixion image in Late Antiquity has been seriously obstructed in previous studies through the dismissal, misapplication and misinterpretation of the gems. Focusing on iconography, it presents a revised chronology for the gems, suggesting that only three are Late Antique, the fourth being early Byzantine.
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Images of the crucifixion in late antiquity : the testimony of engraved gems /Harley, Felicity. January 2001 (has links) (PDF)
Thesis (Ph.D.) -- University of Adelaide, Centre for European Studies and General Linguistics, 2001. / Bibliography: leaves 289-313.
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The social functions and ritual significance of jewelry in the Iron Age II southern LevantLimmer, Abigail Susan. January 2007 (has links) (PDF)
Thesis (Ph.D.)--University of Arizona, 2007. / Includes bibliographical references (leaves 710-743).
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Images of the crucifixion in late antiquity : the testimony of engraved gems / Felicity Harley.Harley, Felicity January 2001 (has links)
Bibliography: leaves 289-313. / v, 316 leaves., 17 p. of plates : ill. (some col.) ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / A study which takes as its focus five gemstones, each engraved with an image of the Crucifixion and previously dated to the Late Antique period. The study undertakes an examination of the gems' iconographic as well as compositional, physical and epigraphic evidence, and demonstrates the way in which critical information regarding the evolution of the Crucifixion image in Late Antiquity has been seriously obstructed in previous studies through the dismissal, misapplication and misinterpretation of the gems. Focusing on iconography, it presents a revised chronology for the gems, suggesting that only three are Late Antique, the fourth being early Byzantine. / Thesis (Ph.D.)--University of Adelaide, Centre for European Studies and General Linguistics, 2001
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Decoding ancient Egyptian diadems: symbolism and iconography as a means of interpreting feminine identityHarris, Stephanie Joan 02 1900 (has links)
Text in English / Ancient Egyptian distinctive headdresses made from precious or semi-precious materials date to prehistoric times, indicating a growing sense of individuality and hierarchy. Women’s headdresses were indicators of rulership, divinity, social status, cultic affiliation and wealth. Visual evidence indicates that female identity was emphasised by external and outward appearance and headdresses in the form of diadems followed recognised stylistic dictates throughout the Dynastic Period. The floral and faunal motifs used in the embellishment were believed to have protective amuletic and magical powers. Although a considerable amount of investigation has been undertaken into the use of materials and techniques used in the manufacture of diadems, the incorporation of symbolism and iconography of these gendered artefacts as a means of interpreting visual messages and self-expression has largely been unexplored. The study has been limited to well-provenanced, extant Old, Middle and New Kingdom diadems housed in various museums worldwide. / Old Testament and Ancient Near Eastern Studies / M.A. (Ancient Near Eastern Studies)
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