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Jin Shengtan de wen xue pi ping kao shuChen, Wanyi. January 1900 (has links)
Thesis (M.A.)--Guo li Taiwan da xue, 1973. / Reproduced from typescript. Includes bibliographical references.
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Jin Shengtan ping dian xue yan jiu = The study of Jin Sheng-Tan's literary criticism theories /Tan, Yuan. January 2000 (has links) (PDF)
Thesis (M. Phil.)--Hong Kong Baptist University, 2000. / Thesis submitted to the Dept. of Chinese Language and Literature. Includes bibliographical references (leaves 105-113).
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Commentated Into His Own Image: Jin Shengtan and His Commentary Edition of the Shuihu ZhuanMorrison, Mark Benjamin 22 August 2013 (has links)
This thesis examines three aspects of the commentary edition of the Chinese vernacular novel Shuihu Zhuan written by Ming Dynasty literatus Jin Shengtan (ca. 1610-1661), analyzing three of the most innovative features that the commentary brings to our understanding of the novel, and what Jin Shengtan desired for the reader of his commentary to understand. The first chapter looks at a series of techniques that Jin outlines in the preliminary "How to Read" section of the commentary (dufa), where the techniques are shown to be very similar in focus and style to the literary theory of narratology as written about by Gerard Genette through a sample comparison of five of the techniques with varying characteristics of narratology. The second chapter looks at how Jin Shengtan constructs the image of the author, Shi Nai'an, through both his interlineal commentary (jiapi) and his preliminary chapter commentary (zongpi). We see through this analysis that Jin Shengtan has gone against the tradition of shu er bu zuo -- a Confucian tradition that relegates the position of the author to the background of his work -- and has brought the author into a position of prominence through his construction of the image of an unparalleled genius. The third and final chapter looks at the idea of "heroism" (xia) and how Jin's commentary reworks the way many of the primary characters of the novel and their heroic actions are seen and interpreted, focusing especially on the characters of Wu Song, Lu Zhishen, Song Jiang and Li Kui, where we see that Jin's commentary focuses on parallels between the heroes such as Wu Song and Lu Zhishen in the first portion of the novel, while switching to a more juxtapositional perspective in the latter half of the novel through Song Jiang and Li Kui. / Graduate / 0305 / 0332 / mblsm00@gmail.com
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金聖嘆《西廂記》評點硏究. / Study on the Jin Shengtan's commentaries on Xixiang Ji / Jin Shengtan "Xi xiang ji" ping dian yan jiu.January 2000 (has links)
歐陽潔美. / "2000年6月" / 論文 (哲學碩士)--香港中文大學, 2000. / 參考文獻 (leaves 131-153) / 附中英文摘要. / "2000 nian 6 yue" / Ouyang Jiemei. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2000. / Can kao wen xian (leaves 131-153) / Fu Zhong Ying wen zhai yao. / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 硏究目的 --- p.2 / Chapter 第二節 --- 金批西廂的硏究槪況 --- p.6 / Chapter 第三節 --- 金聖嘆《第六才子書西廂記》簡介 --- p.12 / Chapter (一) --- 金聖嘆之評點及《第六才子書西廂記》的成書年代 --- p.12 / Chapter (二) --- 版本 --- p.13 / Chapter 1. --- 原刻本及原刻翻印本 --- p.17 / Chapter 2. --- 鄒聖脈本 --- p.19 / Chapter 3. --- 鄧汝寧本 --- p.20 / Chapter 4. --- 校注本 --- p.21 / Chapter (三) --- 體例特色 --- p.24 / Chapter 第二章 --- 金批《西廂記》的底本問題 --- p.11 / Chapter 第一節 --- 金批《西廂記》所據之底本 --- p.27 / Chapter 第二節 --- 金批《西廂記》對底本的删改 --- p.31 / Chapter 第三章 --- 《西廂記》的評點源流 --- p.35 / Chapter 第一節 --- 《西廂記》的評點版本 --- p.35 / Chapter 第二節 --- 《西廂記》評點的發展 --- p.40 / Chapter 第三節 --- 《西廂記》評點的三大類別 --- p.42 / Chapter (一) --- 考證角度 --- p.42 / Chapter (二) --- 演出角度 --- p.45 / Chapter (三) --- 鑑賞角度 --- p.49 / Chapter 第四節 --- 金批西廂所屬的評點類型 --- p.52 / Chapter 第四章 --- 金聖嘆《西廂記》評點與八股文的關係 --- p.53 / Chapter 第一節 --- 八股文的特點及其與戲曲評點的關係 --- p.54 / Chapter 第二節 --- 金聖嘆《西廂記》評點中的八股文章法 --- p.57 / Chapter (一) --- 結構 --- p.58 / Chapter (二) --- 尊題 --- p.60 / Chapter (三) --- 細密 --- p.63 / Chapter (四) --- 代人立言 --- p.64 / Chapter (五) --- 金聖嘆所標舉的筆法 --- p.66 / Chapter 第三節 --- 金聖嘆《西廂記》八股評點的評價 --- p.69 / Chapter 第五章 --- 金聖嘆《西廂記》評點的主導性 --- p.72 / Chapter 第一節 --- 評點者的角色 --- p.73 / Chapter (一) --- 評點者與作者 --- p.74 / Chapter (二) --- 評點者與讀者 --- p.78 / Chapter 第二節 --- 評點者的權力 --- p.84 / Chapter (一) --- 改動權 --- p.84 / Chapter (二) --- 詮釋權 --- p.85 / Chapter (三) --- 否定權 --- p.86 / Chapter 第三節 --- 對閱讀過程的影響 --- p.88 / Chapter (一) --- 全知視角 --- p.88 / Chapter (二) --- 對讀者的干擾 --- p.90 / Chapter 第六章 --- 金聖嘆《西廂記》評點的隨意性 --- p.94 / Chapter 第一節 --- 無嚴密系統 --- p.94 / Chapter (一) --- 主題與手法混淆 --- p.94 / Chapter (二) --- 隨文而發 --- p.98 / Chapter 第二節 --- 閑筆 --- p.100 / Chapter (一) --- 突發的聯想 --- p.100 / Chapter (二) --- 宗教議論 --- p.103 / Chapter (三) --- 插科打諢 --- p.105 / Chapter (四) --- 與斲山的對話紀錄 --- p.106 / Chapter (五) --- 閑筆的意義 --- p.107 / Chapter (六) --- 閑筆與說書的關係 --- p.108 / Chapter 第三節 --- 詳略的安排 --- p.112 / Chapter (一) --- 觀點重複 --- p.112 / Chapter (二) --- 過度詳細 --- p.116 / Chapter (三) --- 過度簡略 --- p.117 / Chapter 第四節 --- 前後矛盾 --- p.120 / Chapter (一) --- 語言運用 --- p.120 / Chapter (二) --- 情節結構 --- p.122 / Chapter (三) --- 人物塑造 --- p.123 / Chapter 第七章 --- 結論 --- p.129 / 參考資料 --- p.131
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