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The Metalogicon of John of Salisbury: Medieval Rhetoric as Educational PraxisGilchrist, Brian 26 March 2015 (has links)
This dissertation addresses the following question: what are the implications of John of Salisbury's rhetorical theory for his approach to education? The Metalogicon, John's defense of the trivium, represents the primary text analyzed throughout the project. John's medieval rhetorical theory explicated the reciprocal relationship between rhetoric and education. The art of rhetoric acquired educational elements by providing ethical-theoretical frameworks to inform the practices of students and teachers. Experiences from the practices of students and teachers influenced the art of rhetoric. John called for an approach to medieval rhetorical education that could be placed into the service of all people living in God's world. Five chapters offer answers to the guiding question. <br>Chapter One, "John of Salisbury: A Rhetorician of the Middle Ages," situates John within the historical moment of the High Middle Ages in Western Europe. John's personal experiences and the overall significant historical events shaped his perspective about medieval rhetorical education. Chapter Two, "John of Salisbury's Intellectual Influences: Cicero and Aristotle," explores how the writings of Cicero and Aristotle informed John's assumptions about the relationship between Ciceronian rhetoric and Aristotelian dialectics within medieval rhetorical education. John attempted to place the newly translated Latin writings of Aristotle, The Organon, into the service of medieval rhetorical education. <br>Chapter Three, "John of Salisbury's The Metalogicon: An Artifact of Medieval Epideictic Rhetoric," examines The Metalogicon as a composition representing medieval epideictic rhetoric. John offered an account of his educational experiences in which he praised teachers who promoted the liberal arts, blamed teachers who rejected the liberal arts, and celebrated the timeless values of a philosophical approach to education. Chapter Four, "The Metalogicon as Rhetorical Dialectical Synthesis," articulates John's contribution to medieval rhetorical theory. John synthesized Ciceronian rhetoric with Aristotelian dialectics to expand the scope of rhetorical practices. Chapter Five, "The Metalogicon: A Medieval Response to Contemporary Calls for Educational Praxis," concludes the dissertation by announcing John's call for praxis as the telos of medieval rhetorical education. The Metalogicon offered implications to the communication discipline by addressing John's contribution to medieval rhetorical theory and articulating pedagogical practices beneficial to contemporary educators. / McAnulty College and Graduate School of Liberal Arts; / Communication and Rhetorical Studies / PhD; / Dissertation;
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John of Salisbury and lawEsser, Maxine Kristy January 2017 (has links)
The aim of this thesis is to consider the knowledge and use of law by John of Salisbury, evaluating what he thought law should be, whence it originated and how it related to aspects of society, for example the institutions of the monarch and the church. For this purpose, the main evidence used will be Historia Pontificalis, Policraticus and the large corpus of letters. Chapter One is entitled Types of Law and gives an outline of the main types of law as John saw them. Chapter Two is entitled Canon Law. This chapter is devoted entirely to the study of John's knowledge and use of canon law. In this chapter, consideration will be made to what canon law John appears to have known and how John used this knowledge within his written work. Chapter Three, entitled King and Law, focuses upon John of Salisbury's opinion of the relationship between the monarch and the law. Chapter Four, Theory of Law: Church and King considers John's ideas on the relationship between church and monarch. Attention will also be paid to how he conveyed his ideas during the papal schism and the Becket dispute as well as John's ideas on judges. Chapter Five is entitled Law in Practice: Church and King, whereby analysis will be made of how John sees the monarch's involvement in issues such as church elections.
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The Lost Soul of the Body PoliticChupp, Jesse 2012 May 1900 (has links)
The modern nation-state is the product of a gradual process in which the religiously concerned medieval political and ecclesiastical synthesis became more secular and centralized. Mirroring this external institutional development, the theoretical conception of the state changed from one of a natural organic unity of diverse corporate members to a consent-based compact among atomized individuals. This change can be traced in the Body Politic metaphor of four authors: John of Salisbury, Christine de Pizan, Johannes Althusius, and Jean-Jacques Rousseau. In this project, I argue that the Body Politic metaphor, particularly the inclusion or exclusion of a soul of the Body Politic, is uniquely appropriate for capturing the complexity of political life in general across differing levels of aggregation and for elucidating the political and religious commitments of the authors who employ it, as they critique their own contemporary political and religious institutions and describe their ideal societies. In the conclusion, I suggest that the loss of a strongly organic conception of the state has denied modern society and political theory a well established means for incorporating corporate entities and for explaining the existence of the modern nation-state in any kind of transcendental moral context, thus the lost soul of the Body Politic.
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Satire of Counsel, Counsel of Satire: Representing Advisory Relations in Later Medieval LiteratureNewman, Jonathan M. 20 January 2009 (has links)
Satire and counsel recur together in the secular literature of the High and Late
Middle Ages. I analyze their collocation in Latin, Old Occitan, and Middle English texts
from the twelfth to the fifteenth century in works by Walter Map, Alan of Lille, John of
Salisbury, Daniel of Beccles, John Gower, William of Poitiers, Thomas Hoccleve, and
John Skelton. As types of discourse, satire and counsel resemble each other in the way
they reproduce scenarios of social interaction. Authors combine satire and counsel to
reproduce these scenarios according to the protocols of real-life social interaction.
Informed by linguistic pragmatics, discourse analysis, sociolinguistics and cultural
anthropology, I examine the relational rhetoric of these texts to uncover a sometimes
complex and reflective ethical discourse on power which sometimes implicates itself in
the practices it condemns. The dissertation draws throughout on sociolinguistic methods
for examining verbal interaction between unequals, and assesses what this focus can
contribute to recent scholarly debates on the interrelation of social and literary practices
in the later Middle Ages.
In the first chapter I introduce the concepts and methodologies that inform this
dissertation through a detailed consideration of Distinction One of Walter Map’s De
nugis curialium . While looking at how Walter Map combines discourses of satire and
counsel to negotiate a new social role for the learned cleric at court, I advocate treating
satire as a mode of expression more general than ‘literary’ genre and introduce the
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theories and methods that inform my treatment of literary texts as social interaction,
considering also how these approaches can complement new historicist interpretation.
Chapter two looks at how twelfth-century authors of didactic poetry appropriate
relational discourses from school and household to claim the authoritative roles of teacher
and father. In the third chapter, I focus on texts that depict relations between princes and
courtiers, especially the Prologue of the Confessio Amantis which idealizes its author
John Gower as an honest counselor and depicts King Richard II (in its first recension) as
receptive to honest counsel. The fourth chapter turns to poets with the uncertain social
identities of literate functionaries at court. Articulating their alienation and satirizing the
ploys of courtiers—including even satire itself—Thomas Hoccleve in the Regement of
Princes and John Skelton in The Bowge of Court undermine the satirist-counselor’s claim
to authenticity. In concluding, I consider how this study revises understanding of the
genre of satire in the Middle Ages and what such an approach might contribute to the
study of Jean de Meun and Geoffrey Chaucer.
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Satire of Counsel, Counsel of Satire: Representing Advisory Relations in Later Medieval LiteratureNewman, Jonathan M. 20 January 2009 (has links)
Satire and counsel recur together in the secular literature of the High and Late
Middle Ages. I analyze their collocation in Latin, Old Occitan, and Middle English texts
from the twelfth to the fifteenth century in works by Walter Map, Alan of Lille, John of
Salisbury, Daniel of Beccles, John Gower, William of Poitiers, Thomas Hoccleve, and
John Skelton. As types of discourse, satire and counsel resemble each other in the way
they reproduce scenarios of social interaction. Authors combine satire and counsel to
reproduce these scenarios according to the protocols of real-life social interaction.
Informed by linguistic pragmatics, discourse analysis, sociolinguistics and cultural
anthropology, I examine the relational rhetoric of these texts to uncover a sometimes
complex and reflective ethical discourse on power which sometimes implicates itself in
the practices it condemns. The dissertation draws throughout on sociolinguistic methods
for examining verbal interaction between unequals, and assesses what this focus can
contribute to recent scholarly debates on the interrelation of social and literary practices
in the later Middle Ages.
In the first chapter I introduce the concepts and methodologies that inform this
dissertation through a detailed consideration of Distinction One of Walter Map’s De
nugis curialium . While looking at how Walter Map combines discourses of satire and
counsel to negotiate a new social role for the learned cleric at court, I advocate treating
satire as a mode of expression more general than ‘literary’ genre and introduce the
iii
theories and methods that inform my treatment of literary texts as social interaction,
considering also how these approaches can complement new historicist interpretation.
Chapter two looks at how twelfth-century authors of didactic poetry appropriate
relational discourses from school and household to claim the authoritative roles of teacher
and father. In the third chapter, I focus on texts that depict relations between princes and
courtiers, especially the Prologue of the Confessio Amantis which idealizes its author
John Gower as an honest counselor and depicts King Richard II (in its first recension) as
receptive to honest counsel. The fourth chapter turns to poets with the uncertain social
identities of literate functionaries at court. Articulating their alienation and satirizing the
ploys of courtiers—including even satire itself—Thomas Hoccleve in the Regement of
Princes and John Skelton in The Bowge of Court undermine the satirist-counselor’s claim
to authenticity. In concluding, I consider how this study revises understanding of the
genre of satire in the Middle Ages and what such an approach might contribute to the
study of Jean de Meun and Geoffrey Chaucer.
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