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Shakespeare and Jonson stoic ethics and political crisis /Vawter, Marvin Lee, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1970. / Typescript. Vita. Description based on print version record. Includes bibliographical references (leaves 299-307).
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The art of living Donne, Jonson and the familiar verse epistle /Bamberg, Marie Luise. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1982. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 445-458).
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Ben Jonson and characterShimizu, Akihiko January 2015 (has links)
This thesis discusses Ben Jonson's innovative concept of character as an effect of interactions in dramatic, political and literary spheres. The Introduction observes how the early modern understanding of ‘character' was built on classical rhetorical theory, and argues its relevance to Jonson's rhetorical and performative representations of characters. Chapter 1 looks into the bridge between epigrams and character writing, and examines the rhetorical influence of the grammar-school exercises of Progymnasmata on Jonson's representation of characters in his Epigrams. Chapter 2 examines character as legal ethos in Catiline, analysing the discourse of law that constitutes Cicero's struggle to issue senatus consultum ultimum and examining the way Catiline represents character and mischief to address the problematic issues of power and authority in King James' monarchical republic. Chapter 3 explores Jonson's challenge in his integration of the emblematic characters of Opinion and Truth in Hymenaei, and argues that the underlining contemporary medico-legal discourses help the masque to accommodate conflicting characters. Chapter 4 discusses the problematic characterization of news and rumours in Volpone, The Staple of News and the later masques, and considers the way Jonsonian characters strive to find trustworthy and legible signs of others in their exchanges of information. In Conclusion, the thesis confirms the need to re-acknowledge Jonson's writings in terms of character as rhetorical effect of these imagined interactions.
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The conscious art of Ben Jonson : Sejanus and CatilineWebb, William H. (William Herbert). January 1970 (has links)
No description available.
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The conscious art of Ben Jonson : Sejanus and CatilineWebb, William H. (William Herbert). January 1970 (has links)
No description available.
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A matter of masks: The confidence-man by Herman Melville compared and contrasted with the plays of Ben Jonson.Paviour, Robert. January 1969 (has links)
No description available.
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Herrick's debt to JonsonFreis, Willa Hussey January 1936 (has links)
No description available.
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A dissertation on Lucian's Dialogues of the dead V-IX as the source of the plot of Ben Jonson's play VolponeGottschalk, Barbara Ottilie January 1932 (has links)
No description available.
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The character of humour as defined and expounded by Ben JonsonCraig, Ruth Thrasher, 1892- January 1933 (has links)
No description available.
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The Epithalamions of Spenser and Jonson; a comparative studyMcClain, Mary Elizabeth, 1905- January 1935 (has links)
No description available.
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