Submitted by Jordan (jordanbiblio@gmail.com) on 2016-10-08T16:23:40Z No. of bitstreams: 1 DISS_2015_Elina Padilha Fernandes.pdf: 2994124 bytes, checksum: 3286c2645efb730b65d06819dd4b5878 (MD5) / Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2016-10-08T16:23:58Z (GMT) No. of bitstreams: 1 DISS_2015_Elina Padilha Fernandes.pdf: 2994124 bytes, checksum: 3286c2645efb730b65d06819dd4b5878 (MD5) / Made available in DSpace on 2016-10-08T16:23:58Z (GMT). No. of bitstreams: 1 DISS_2015_Elina Padilha Fernandes.pdf: 2994124 bytes, checksum: 3286c2645efb730b65d06819dd4b5878 (MD5) Previous issue date: 2015-09-17 / Esta pesquisa trata da produção do compositor e maestro brasileiro Jorge Antunes (1942- ), analisando sua poética musical e o gesto político de duas de suas principais obras: Elegia Violeta para Monsenhor Romero (1980) e Sinfonia das Diretas (1984). Através destas obras é possível dimensionar sua militância política e artística – empreendidas durante um momento histórico no Brasil de ditadura militar (1964-1985) – e deixar transparecer sua poética musical inovadora e experimental. / This research deals with the production of the Brazilian composer and conductor Jorge Antunes (1942-), analyzing his musical poetics and the political gesture in two of his major works: Elegia Violeta para Monsenhor Romero (1980) and Sinfonia das Diretas (1984). Through these works it is possible to scale his political and artistic activism – during a historical moment in Brazil's military dictatorship (1964-1985) – and must disclose his innovative and experimental musical poetics.