Zugl.: Erlangen, Nürnberg, Univ., Diss., 2007

Zugl.: Dresden, Techn. Univ., Diss., 2008

Diss.--Freie Universität Berlin. / Another ed. (Meisenheim am Glan, A. Hain) issued in the same year, without thesis statement, under title: Franz Josef Strauss, die CSU und die Aussenpolitik. Bibliography: p. 315-346.

Thesis (Ph. D.)--North Texas State University, 1980. / Typescript. Includes the author's English translation of J.M. Hauer's Vom Wesen des Musikalischen ; Vom Melos zur Pauke ; and Zwölftontechnik. Includes bibliographical references (leaves 293-299).

Th. de doctorat--Louvain-la-Neuve--Université catholique, 1994. Titre de soutenance : L'évolution de la référence au droit naturel dans l'œuvre théologique de Mgr Philippe Delhaye. / Bibliogr. p. 523-540. Index.

Diss.--Geschichte--Saarbrücken, 1968. / Contient des textes de J. Seliger.

Diss.--Philosophische Fakultät--[Saarbrücken]--Universität des Saarlandes, 1993. / Bibliogr. p. 326-339.

The focus of my paper called Josef Suk (1874-1935): Works for violin is the analysis of his Fantasy g-minor op. 25 for violin and orchestra and his works for violin and piano. It was not my aim here to analyse note by note, but to comment on the basic tectonic features and point out the most interesting parts of the score. I look on formal aspects of these compositions, with the aim of gaining insight into the portrayal of the author's thoughts. I also pay attention to the harmonic side of these works. Also concerning the chamber works with the violin I provide an abridged analysis In each composition (if possible) the date of premiere and also its performer is indicated. The paper firstly provides general information on the life and work of Josef Suk and about the history of the Czech Quartet.

This diploma thesis is a look at the life story of an agronomists, beekeeper and originally also an admirer of Russia, Josef Cermak (1884-1958). The main source was the ancestral chronicle and memoirs written by Josef Cermak which guide the reader through the life of the author. He witnessed important historic events of the twentieth century, like the two world wars, the effects of the Russian revolution, the Great Depression and the 1948 Czechoslovak coup d'état. The author was inspired by historico-anthropological approaches that deal specifically with the question of one?s identity formation, self-presentation and the image of the other. The attention was also focused on the memory of Josef Cermak and methods of its formation. The work is divided into two parts. The first one deals with memory and self-presentation of the actor, in the other one the image of Russia in the eyes of the Czech lands and Josef Cermak is being addressed.

No description available.