Thesis (M.A.)--Marshall University, 2003. / Title from document title page. Document formatted into pages; contains iv, 80 p. including illustrations. Bibliography: p. 73-78. "Works cited": p. 67-72.

No description available.

Thesis (M.A.)--Indiana University, 2007. / Title from screen (viewed on March 6, 2008). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Ken Davis, Jonathan R. Eller, William F. Touponce. Includes vitae. Includes bibliographical references (leaves 214-228).

Zugl.: Kassel, Univ., Diss., 2005

Thesis (M.A.)--University of Canterbury, 2008. / Typescript (photocopy). Includes bibliographical references (leaves 181-188).

Diss.--Bochum--Universität Bochum, 1991.

Thesis (Ph.D.)--University of Western Sydney, 2005. / A thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Humanities, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.

Thesis (B.A.)--Haverford College, Dept. of English, 2006. / Includes bibliographical references.

No description available.

This study is a detailed textual examination of the word "parallax" in Ulysses. It distinguishes three levels of meaning for the word in the novel. In the first level, parallax functions as a character motif, a detail, first appearing in and conforming to the realistic surface of Bloom's inner monologue, whose meaning is what it tells of his crucial problems of identity. In the second, parallax functions as an integral part of the symbolic complex, lying outside of Bloom's perceptions, surrounding the emblem of crossed keys, symbol of, among other things, paternity and homerule, two major narrative themes. The third level involves parallax as a symbol informing the novel's overriding theme of the writing of Ulysses itself and of the relationship between the novel's representative life and artistic design.