Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-08-16T22:51:24Z No. of bitstreams: 1 VirginiaMariaBorgesDeAzevedo_DISSERT.pdf: 7142727 bytes, checksum: 64ec46ece3ac8135a3f17f5209a0da6b (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-08-24T00:14:17Z (GMT) No. of bitstreams: 1 VirginiaMariaBorgesDeAzevedo_DISSERT.pdf: 7142727 bytes, checksum: 64ec46ece3ac8135a3f17f5209a0da6b (MD5) / Made available in DSpace on 2016-08-24T00:14:17Z (GMT). No. of bitstreams: 1 VirginiaMariaBorgesDeAzevedo_DISSERT.pdf: 7142727 bytes, checksum: 64ec46ece3ac8135a3f17f5209a0da6b (MD5) Previous issue date: 2016-03-23 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / Assumindo o corpo como um espa?o de comunica??o e de produ??o de subjetividades, investigase, atrav?s da perspectiva dos jovens contempor?neos da UFRN, a complexidade proveniente do ato de adornar o corpo, como uma a??o comunicacional, mais precisamente como uma comunica??o visual, repleta de simbolismos e pessoalidade. Com o quase-m?todo metap?rico, buscamos acompanhar o ato comunicacional, resultante da rela??o dos jovens singulares da UFRN com seus adornos e vestimentas, como um a??o produtora de sentindo. Atrav?s das narrativas e das express?es singulares observadas nesse corpo adornado/vestido, fomos capazes de identificar sete categorias que delineiam o sujeito-colagem em quest?o: Inconst?ncia est?tica e mudan?a frequente de estilo, roupas X g?nero, espa?os regulados por uma est?tica dominante, conex?o simb?lica com vestu?rios e/ou acess?rios, constru??o de uma imagem autoral atrav?s de refer?ncias est?ticas diversas, momento de ruptura est?tica com padr?es socialmente estabelecidos, e, partes do corpo cuja modifica??o ou aceita??o reflete rupturas est?ticas. / Assuming the body as a space of communication and production of subjectivity, we investigate, through the perspective of the contemporary youth at UFRN, the complexity surrounding the act of adorning the body as an act of communication, more precisely a visual communication, filled with symbolism and personality. Using the metaporic method, we seek to follow the communicational act, resulting from the relationship between these unique individuals at UFRN, their adornments and clothing, as an act that produces meaning. Through these narratives and singular expression, observed in these adorned / dressed bodys, we were able to identify seven categories that outlines the collage-individual that we present here: Aesthetic inconsistency and frequent change of style, gender X clothes, spaces regulated by a dominant aesthetic, symbolic connection with garments and / or accessories, the building an authorial image through various aesthetic references, moment of aesthetic rupture with socially established standards, and, parts of the body whose modification or acceptance reflects aesthetic ruptures.