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Karg-Elert's Passacaglia and fugue on B-A-C-H : a study of harmonic and stylistic analysis /Bae, Jin Young, January 2004 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2004. / Vita. Includes bibliographical references (leaves 98-100).
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Sigfrid Karg-Elert und seine Musik für Orgel /Hartmann, Günter, January 2002 (has links)
Texte remanié de: Diss.--Philosophie--Bonn, 1985. / Sources et bibliogr. p. 937-991. Index.
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Gradus ad parnassum of modern flute technique an explication of musical intention and design in 30 Capricen für Flöte allein, Opus 107, by Siegfried Karg-Elert, together with three recitals of selected works by Schulhoff, Telemann, Berio, J.S. Bach, Rodrigo, Gieseking, Reinecke, and others /Scott, Lorie Elizabeth. January 2005 (has links)
Thesis (D.M.A.)--University of North Texas, 2005. / System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Mar. 25, 2002, Feb. 10, 2003, Mar. 29, 2004, and June 13, 2005. Includes bibliographical references (p. 147-149).
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Die Orgelwerke von Sigfrid Karg-Elert (1877-1933)Hartmann, Günter, January 1985 (has links)
Thesis (doctoral)--Rheinische Friedrich-Wilhelms-Universität zu Bonn. / Includes bibliographical references (v. 2, p. 791-894) and index.
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Die Orgelwerke von Sigfrid Karg-Elert (1877-1933)Hartmann, Günter, January 1985 (has links)
Thesis (doctoral)--Rheinische Friedrich-Wilhelms-Universität zu Bonn. / Includes bibliographical references (v. 2, p. 791-894) and index.
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Sigfrid Karg-Elert: Passacaglia a fúga n ab-a-c-h op. 150 / Sigfrid Karg-Elert: Passacaglia and fuge on B-A-C-H op. 150Kopáčik, Vladimír January 2015 (has links)
The Master's Thesis Sigfrid Karg-Elert: Passacaglia and Fugue on B-A-C-H, op.150 concentrates both on the composer's life and this specific composition. The thesis traces the history of the formation of the composition. It begins by offering insights into the perception of music at the beginning of the 20th Century. I then attempt to show the relationship between the composer's life and his work, dealing with his musical language and his various compositions. The main topic is the formation of the composition "B-A-C-H" and an analysis. In the chapters devoted to the main topic, I analyze the circumstances under which the work was composed, giving attention both the "how" and the "why" and considering such aspects as form, theme, and harmony. In the last chapter, I describe the composer's concert tour of North America, where this work was composed, allowing the reader to have some sense of Sigfrid Karg-Elert's skill as a performer.
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Gradus ad Parnassum of Modern Flute Technique: An Explication of Musical Intention and Design in 30 Capricen für Flöte allein, Opus 107 by Sigfrid Karg-Elert, with Three Recitals of Selected Works by Schulhoff, Telemann, Berio, Bach, Rodrigo, Gieseking, Reinecke, and OthersScott, Lorie Elizabeth 12 1900 (has links)
Gradus ad Parnassum of Modern Flute Technique: An Explication of Musical Intention and Design in 30 Capricen für Flöte allein, Opus 107 by Sigfrid Karg-Elert, with Three Recitals of Selected Works by Schulhoff, Telemann, Berio, Bach, Rodrigo, Gieseking, Reinecke, and Others
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