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Irmgard Keun : Schreiben im Spiel mit der Moderne /Blume, Gesche. January 2005 (has links)
Techn. Univ., Diss.--Dresden, 2004.
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Beziehungen von weiblichen Angestellten in Irmgard Keuns Romanen "Gilgi - eine von uns" und "Das kunstseidene Mädchen" /Kameš, Lena. January 2009 (has links)
Wien, Univ., Dipl.-Arb., 2009.
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Leben: Szenen eines Täuschungsspiels zu literarischen Techniken Irmgard Keuns /Raff, Gudrun. Unknown Date (has links)
Universiẗat, Diss., 1999--Hamburg.
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Gender- und Machttransgression im Romanwerk Irmgard Keuns : eine Untersuchung aus der Perspektive der Gender StudiesBescansa Leirós, Carme January 2007 (has links)
Zugl.: Santiago de Compostela, Univ., Diss., 2003
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Exhausting work the struggle for women's emancipation and autonomy in the literature of the Weimar Republic /Smith, Allison. January 2007 (has links)
Thesis (M.A.)--Bowling Green State University, 2007. / Document formatted into pages; contains v, 94 p. Includes bibliographical references.
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Irmgard Keuns Romane der Weimarer Republik als moderne DiskursromaneLickhardt, Maren January 2008 (has links)
Zugl.: Mainz, Univ., Diss., 2008
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Grossstadttendenzen : neue Sachlichkeit im Roman Imgard Keuns Gilgi - eine von unsDubé, Geneviève January 2004 (has links)
This Master thesis examines the main characteristics of the 'New Objectivity' (Neue Sachlichkeit) appearing in Irmgard Keun's first novel, Gilgi---eine von uns (1931). The author uses in fact some stylistic elements of this movement to trace a portrait of her time, especially of trends emerging in the large city Cologne. The Weimar model of the emancipated woman, the so-called 'New Woman', serves as basis for Keun's depiction of her protagonist. Her representation was influenced by the image of the white-collar worker and of the Flaneuse (in the figure of her best friend). The comparison with other women figures emphazises Gilgi's emancipation. This paper aims at demonstrating, that her status as white-collar worker enables Keun's protagonist to criticize the social norms. In fact, she rejects the patriarchy of this society and proved herself being more emancipated than the other 'New Women' in taking on some men's roles.
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Lebensentwürfe im Romanwerk Irmgard KeunsBender, Stephanie January 1997 (has links)
Zugl.: Frankfurt (Main), Univ., Magisterarbeit, 1997
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Lebensentwürfe im Romanwerk Irmgard Keuns /Bender, Stephanie. January 2009 (has links)
Universiẗat, Magisterarbeit, 1997--Frankfurt (Main). / Literaturverz., S. 135-138.
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Die Stunde des Untertanen eine Untersuchung zu satirischen Romanen des NS-Exils am Beispiel von Irmgard Keun, Walter Mehring und Klaus Mann /Widner, Bettina. January 1998 (has links)
Berlin, Freie Universiẗat, Diss., 1998. / Dateiformat: zip, Dateien im PDF-Format.
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