This Master thesis examines the main characteristics of the 'New Objectivity' (Neue Sachlichkeit) appearing in Irmgard Keun's first novel, Gilgi---eine von uns (1931). The author uses in fact some stylistic elements of this movement to trace a portrait of her time, especially of trends emerging in the large city Cologne. The Weimar model of the emancipated woman, the so-called 'New Woman', serves as basis for Keun's depiction of her protagonist. Her representation was influenced by the image of the white-collar worker and of the Flaneuse (in the figure of her best friend). The comparison with other women figures emphazises Gilgi's emancipation. This paper aims at demonstrating, that her status as white-collar worker enables Keun's protagonist to criticize the social norms. In fact, she rejects the patriarchy of this society and proved herself being more emancipated than the other 'New Women' in taking on some men's roles.

No description available.